FESTIVALS & AWARDS: Africa Movie Academy Awards, Miami IFF, ReelWorld FF and festivals, festivals, FESTIVALS!

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Screening of TANTA AGUA

NINAH’S DOWRY (Cameroon), SO MUCH WATER (Uruguay) and WHEN I SAW YOU (Palestine/Jordan) are just a few titles among a host of Global Lens films and grant recipients keeping our news feed a-buzzing…

The buzz just won’t stop. From nominations, to awards, to screenings in festivals across the globe, GFI grant recipients and Global Lens films are continuing to impress in a big way. Check out the most recent news:

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FESTIVALS & AWARDS: Miami IFF, FESPACO, Guadalajara IFF, Berlinale Awards and more!

The forecast is sunny for BEIJING FLICKERS (China), NO AUTUMN, NO SPRING (Ecuador) and SO MUCH WATER (Uruguay) @ Miami!

Just two months into 2013 and already a number of GFI grant recipients and Global Lens films have been stirring up international hype from Berlin to Burkina Faso. Here’s the scoop:

GFI grant recipient NO AUTUMN, NO SPRING (Ecuador) screens in Cartagena and Miami International Film Festivals!

GFI grant recipient NO AUTUMN, NO SPRING (Ecuador) screens in Cartagena and Miami International Film Festivals!

BERLIN INTERNATIONAL FILM FESTIVAL: Annemarie Jacir’s WHEN I SAW YOU (Palestine/Jordan, Summer 2011 honorable mention) took home the NETPAC award from Berlinale! The jury noted after its unanimous vote: “We were all impressed by the film’s distinctive narrative perspective: that of conveying the longing for freedom of an oppressed people in an era when idealism, solidarity and justice still had meaning…” Read on, here!

CARTAGENA INTERNATIONAL FILM FESTIVAL: SO MUCH WATER (dir. Ana Guevara and Leticia Jorge, Uruguay, Summer 2012 honorable mention), following its premiere at the Berlin International Film Festival, won the FIPRESCI Prize after receiving waves of screen time at the Cartagena International Film Festival (FICCI)! The film continues on to several other renowned festivals (see

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FESTIVALS & AWARDS: Berlinale, Rotterdam and Beyond

SO MUCH WATER (Uruguay) and A FOLD IN MY BLANKET (Georgia) @ Berlinale Panorama are just two jewels in a mother lode of GFI films, fests and awards this month….

SO MUCH WATER (Uruguay), GFI grant recipient, premieres at Berlinale!

 

It’s a new year and our Global Lens films and GFI grant recipients are back in a big way, with screenings all over Europe this month for some of the biggest conferences of world cinema on the globe, at Berlin, Rotterdam and beyond. Without further adieu, here are this month’s headlines:

BERLIN INTERNATIONAL FILM FESTIVAL: The Berlin International Film Festival is always host of a wide array of world and European premieres, and this year these premieres include those of six GFI grant recipients—likely our greatest showing at Berlinale to-date!

For those of you attending Berlinale, be sure to catch our grant recipients—from Costa Rica to China—premiering and screening at this year’s festival:

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INDUSTRY: A Decade of Film

A retrospective look at Global Lens via the images and ideas that took our signature series from infancy to adulthood…

As writer Robert Mckee said, “Storytelling is the most powerful way to put ideas into the world today.”

We agree.

Stories are the basis of humanity. They teach, they entertain, and they shape how we see the world. As humans, we are wired to connect and bond with others.

GFI was created with this purpose: to create global understanding, empathy and connectivity through the powerful medium of film, and to promote and support the vibrant growth of global filmmaking. To date, we have distributed 96 independent films from over 38 countries to North American audiences, and hosted screenings in every U.S. state except North Dakota. (Anyone in North Dakota want to help us with our 2013 New Years Resolution? Contact us!)

Through these films, we hope to inspire people to keep learning about other perspectives and ways of life. In celebration of Global Lens’ 10th year anniversary in January, we take a look at some of our films and the themes they contain from the past decade…

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Veiroj Vérité

Rob Avila and Global Lens filmmaker, Federico Veiroj, discuss sexual rites of passage, Montevideo’s Jewish community and the director’s short film, AS FOLLOWS

With something more like resignation than enthusiasm, 13-year-old Rafael Bregman (Diego Radzewicz) prepares for his bar mitzvah. At the rabbi’s desk, he dutifully mouths the ceremonial Hebrew that comes so much less naturally to him than his native Spanish. But it’s all part of becoming a man in this Jewish enclave of Montevideo, Uruguay—and, as follows here, will no doubt prove a complex memory some day. (Perhaps it’s his own bar mitzvah that Bregman senior (Omar Varela) is remembering as he slumbers on his analyst’s couch!)

Federico Veiroj’s 13-minute short, As Follows (Bregman, el siguiente)—which GFI is distributing alongside the 35-year-old Uruguayan filmmaker’s feature film, A Useful Life (La Vida Útil)—is a wry, charming story of a rich Latin American subculture and a boy set on the uncertain, ambiguous cusp of manhood. Watch the entire film below and read on for an interview with Federico Veiroj!

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