INDUSTRY: Trends in Global Film, by Way of GFI’s Granting Program

A quick look at the facts, figures and forward movement of our program, after ten years of international film funding…

BUFFALO BOY (Vietnam) was one of four grants we provided to filmmakers when we began our Granting Program almost ten years ago!

Every granting cycle has its own personality, and this Summer’s cycle was no exception (“bad hair,” good politicians—we had it all this round, so read the press release and our blog for the scoop!). But, unlike other cycles, this one also had a bit of “extra” personality…For you see, this year marks our tenth year of awarding grants to filmmakers from around. And oh, how the times have changed…

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FOCUS: An Indian Indie

From dodging debt to clearing censorship, SOUL OF SAND director, Sidharth Srinivasan, discusses the genesis of a film fueled by “passion, persistence, patience–and pig headedness!”

(Image courtesy of Sidharth Srinivasan)

It’s been three achingly long years from script to screen. We shot PAIRON TALLE (SOUL OF SAND) as an utter indie, sans any form of corporate funding let alone guarantee of completion, on love, not-so-fresh air and foolhardiness, in the fall of 2008. To embark on such a venture one has to contend with a veritable host of naysayers—aghast outsiders, concerned family members and frowning well-wishers, and during pre-production I could almost smell the cast and crew clandestinely questioning the folly of my endeavors behind my back, but supporting me nonetheless for my very personal Waterloo (bless their souls). I say stick to your guns if the project has stuck with you for as long as it has—independent filmmaking is the exclusive domain of masochists who revel in the pleasure/pain principle…

Once principal photography began in earnest everyone was disbelievingly stunned into action, as it were, and spirits ran alarmingly high – the joy of a successful shoot is akin to chasing that ubiquitous dragon. But the low that came post-shooting hit like a ton of bricks – case in point, our film was in the proverbial can but we were over-budget (despite having completed

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