INTERVIEW: Tolga Karaçelik on A Sincere Work

Rob Avila talks with Tolga Karaçelik about capturing the right chemical reaction on the set and on the screen in TOLL BOOTH…

Tolga Karçelik on the set of the Global Lens 2012 film Toll Booth

TOLL BOOTH, the first Turkish film to receive a weeklong premiere at the New York Museum of Modern Art, is the debut feature of 31-year-old Istanbul native Tolga Karaçelik. It concerns the life and progressive collapse of a tollbooth attendant and bachelor named Kenan (played by the marvelous Serkan Ercan). A poet by longstanding practice and inclination, with a quick mind and generous spirit, Karaçelik studied law before coming to New York City to study filmmaking. It was back in New York, at the MoMA in January, that he sat down to talk about the genesis of his award-winning Toll Booth, the opening night film of the Global Film Initiative’s 2012 Global Lens series.

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Behind the Curtain and After the Final Cut

Go beneath the surface to get the back-story on the films of Global Lens 2012

Click here to learn more about Kivu Ruhorahoza and GREY MATTER, the first narrative feature film produced in Rwanda by a native Rwandan filmmaker

Anyone familiar with the entertainment industry knows that sometimes off-screen activities can overshadow what’s happening in the films themselves. Take, for example, Lars von Trier’s controversy at Cannes last year or the preoccupation with Lindsay Lohan’s after-hours adventures. It’s easy to see why people like having this insider knowledge, but not all of it is scandalous—in fact, hearing the stories and secrets behind this year’s Global Lens films prove that there can be substance behind the curtain and after the final cut.

For example, Kivu Ruhorahoza’s GREY MATTER is about a young Rwandan filmmaker struggling to create a film that might help him reconcile the trauma of genocide. In reality, Kivu was only 12 years old during the 1994 Rwandan genocide and lived in constant fear for his family’s welfare. At the age of 16, he set out to become a filmmaker in a country with scarcely a tripod or sound equipment suitable for his camera. Needless to say, GREY MATTER’s story line of someone battling the odds to make a tough film is a direct expression of his artistic path

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GLOBAL LENS 2012: Meet the Directors

A long-haired rocker seeking acceptance, an adult returning to the beaches of her childhood and an artist looking for the meaning in monotony are just a few of the minds behind this year’s series…

From left: Gustavo Pizzi (CRAFT, Brazil) and Tolga Karacelik (TOLL BOOTH, Turkey) at the Global Lens 2012 premiere in New York

Every person has a voice. Every voice tells a story. Every story reveals a world.

The Global Lens series trailer opens with these 15 words, and they really do sum up why we’re here. We work with film, but more importantly, we work with people. And by using film to give life to their stories, these people have become the living, breathing embodiment of Global Lens.

With this in mind, we’d like to introduce you to the brilliant filmmakers behind the Global Lens 2012 series, and let them explain the concept, creation & message of their work for themselves.

Sharing these stories is what we’re all about, and the reason why, after all these years, the words of the Global Lens trailer still ring true.

Ladies and gentlemen, here they are, the directors of Global Lens 2012!

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SUPPORT: Art as Diplomacy

How film can be just as good as a handshake when it comes to crossing borders and building relationships

WATCH: Global Lens 2012 director Oday Rasheed speaks with Deb Amos of NPR about QARANTINA and living and working in Baghdad

Ever since our founding, the phrase ‘promoting cross-cultural understanding through cinema’ has echoed with every presentation of Global Lens we sponsor, every grant we award, and every educational screening we host. Our belief is that film, especially world cinema, has the ability to transcend politics and lines of conflict, exposing us to new cultures and new ways of thinking, allowing for better communication as a global society.

It’s a spectacular concept, and hardly the first of its kind—over the centuries, art and literature have always had the same power. However, when it comes to film, for as simple as it sounds, until audiences see this process in action, the phrase rings a bit theoretical, and idealistic. In fact, in a world where the majority of people consider film a form of entertainment, saying it is anything other than that is a hard sell—unless of course we “sell” it within a context other than entertainment.

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Global Lens 2012 @ MoMA and Beyond!

This year’s launch in New York set our universe in motion thanks to a host of filmmakers, friends and more than a little help from MoMA and a one-man army…

Angelica in the Stars

Angelica Dongallo, Acquisitions & Granting Dynamo, kicks-off Global Lens 2012 amongst the stars

 

What can we say–it was spectacular. And for as much as we’d really like to tell you about the launch of Global Lens 2012 in New York, pictures do the job so much better. The stars were out and in alignment, and the year began with a big bang, cosmic kismet and maybe even a few good parties–see for yourself!

Next stop: everywhere. Global Lens 2012 will be playing all across the U.S. and Canada, from Palm Springs to Boston, Latin Wave in Houston and Vue d’Afrique in Montreal–check our calendar!

A special thanks to Jytte Jensen, Curator, and Clay Farland, at the MoMA Department of Film; Consul General M. Levent Bilgen, Consul Ismet Erikan and the Turkish Consulate General of New York; Robert Avila; Gary Ponzo; Gianfranco Sorrentino and our friends at Gattopardo; Carlos Gutierrez; Tom Vick at the Smithsonian Institution; Engin “One-Man Army” Yeniduniya; and Global Lens 2012 directors Bujar Alimani, Tolga Karacelik, Carlos Osuna, Gustavo Pizzi, and Oday Rasheed–none of this would’ve been possible without you.

 

 

 

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