NEW ON DVD: The Tenants and Street Days!

Bad boys and bad medicine: Urban thriller THE TENANTS and junkie chronicle STREET DAYS to release on DVD May 15th

The DVD release of new films from playwright-cum-filmmaker Sérgio Bianchi and Georgian auteur Levan Koguashvili take audiences from the neo-noir nights of São Paulo to the mean streets of Tbilisi:

THE TENANTS (OS INQUILINOS), dir. Sérgio Bianchi, Brazil, 2009, 103 minutes, Portuguese, with subtitles in English

After three mysterious men move into a smoky São Paulo suburb, a neighboring couple becomes obsessed with the men’s clandestine activities and the ozone of violence that descends upon their once-tranquil neighborhood. Best Screenplay, Rio de Janeiro International Film Festival; Official Selection, Vancouver International Film Festival.

“Bianchi’s richly detailed film excavates society’s fear of and fascination with violence—from television’s constant stream of near-pornographic mayhem to venomous suspicion between neighbors, petty feuds within married couples, and quarreling among children—in an indictment of the lowest human impulses.” –Museum of Modern Art

“Stunning performances….A tour-de-force of cinematic tension.” –The Santa Barbara Independent

 

STREET DAYS (QUCHIS DGEEBI), dir. Levan Koguashvili, Georgia, 2010, 86 minutes, Georgian, with subtitles in English

A well-meaning heroin addict whose life and status seem to worsen by the day, finds himself caught between serving a prison sentence and selling out

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OPEN MIC: Made in Brazil

GFI intern Julianne Quimby talks about CRAFT, THE TENANTS and why there’s more to Brazil than samba and sandy beaches

Julianne in Copacabana

After returning from a year spent studying language and culture abroad in Brazil, I was frequently asked a question I found surprisingly challenging: “How was your trip?” Brazil is a diverse country characterized by complex intersections of history, politics, and religion and therefore not easily summarized. In addition, I found my descriptions clashed with the misconceptions of Brazil listeners already held. Americans—and global audiences in general—only have access to Brazilian culture through select avenues. Sensationalized news stories reporting on Rio’s violent crime, “The Girl from Ipanema,” national soccer victories, and the occasional film that’s lucky enough to make it to our shores leave Americans with a clichéd and misinformed perception of what Brazilian society is actually like. My brief experience in Brazil was enough to make it painfully obvious that Americans’ experiences with Brazilian culture through popular music and film aren’t painting a satisfactory picture of the country and its people.

However, while working at GFI, I’ve had the opportunity to watch CRAFT and THE TENANTS, two Brazilian productions from the Global Lens film series (2012 and 2011, respectively). Not only do these films display original storylines and distinctive cinematographic styles (setting them apart from other independent

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