FEATURE: The Conservation of SHYAMAL UNCLE TURNS OFF THE LIGHTS

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A scene from SHYAMAL UNCLE TURNS OFF THE LIGHTS

As Earth Day approaches, GFI intern Isabella Lyle-Durham shares her thoughts on the global environmental landscape in both the Global Lens 2013 film SHYAMAL UNCLE TURNS OFF THE LIGHTS and reality…

On April 22nd, Earth Day, we dedicate 24 hours, as a global society, to thinking about our physical future. And sometimes that “thinking” means we step away from the rhetoric, and into films like SHYAMAL UNCLE TURNS OFF THE LIGHTS—shining a light not just on what we can do to preserve the earth, but also on how what we’re currently doing may not be working and may actually contradict the idea of ‘conservation.’

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NEWS: UTPA on FOX

UTPA’s librarian extraordinaire Virginia Haynie Gause tells viewers in Macallan, TX, how to experience the world–and stay close to home–with Global Lens…

Pop Quiz! How can one broaden their respect and understanding of other cultures without the means and/or ability to travel? For us here at the Global Film Initiative, the answer is simple: By participating as an active watcher of international cinema, one can learn about the life, language, politics, and customs of another country, and all without a passport!

Deep in the Heart of Texas: Global Lens at the San Antonio Museum of Art!

Okay, everyone, full disclosure here: I’m ashamed to admit it, but I know next to nothing about San Antonio. I know a little bit about the Alamo, sure, but not nearly as much as I should. I know that Carol Burnett and Joan Crawford are both from there, but I learned that just now from the Internets. What I do know quite well, however, is that if you happen to be in San Antonio and you’re looking for the best in world cinema, then you’re in luck. All you have to do is head over to the San Antonio Museum of Art and drop in on a Global Lens 2012 film!

This is the Museum’s first year hosting the series, and we couldn’t be happier to be working with them. Responsible for the collaboration are the delightful Katie Erickson (Director of Education) and the equally delightful Nicole McLeod (Assistant Director of Education) who’s mutual love of movies inspired them to explore different ways of offering film programming at their (beautiful) institution, tailoring the programming to SAMA’s permanent collection. When speaking to her over the phone recently, Katie noted that she and Nicole first became interested in GFI because their collection is encyclopedic in nature — spanning continents and many cultures — and so Global Lens seemed to be a

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Window to the World: Launching a Foreign Film Series in Edinburg, TX

GFI chats with The University of Texas-Pan American about unique collaborations, persistence, and bringing Global Lens to town

Nadia Gallegos (left) and Virgina Haynie Gause, the people responsible for bringing Global Lens to UTPA!

Sometimes we speak with a venue interested in hosting Global Lens, and everything falls into place relatively quickly and easily—screening facilities are available, marketing support is plentiful, and the schedule practically writes itself. In other instances, however, things don’t come together right away, and instead, it takes some time to actually “make it happen.” This was the case with The University of Texas-Pan American (UTPA), who had been speaking with us off-and-on about organizing a Global Lens program on campus since 2008, but for various reasons, wasn’t able to do so until just this past year.

One of the factors that finally made it possible was the introduction of our Educational Affiliates program in which university and college libraries can purchase a full Global Lens DVD set and then screen those films for public audiences. This option, with its affordable cost and scheduling flexibility, allowed UTPA to show Global Lens 2010 on campus—screening a different film every month beginning at the end of 2010. This “experiment” of sorts proved to be a great success for UTPA, and they are now gearing

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