Now Playing: Global Lens Dives Into Summer

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THE PARADE (Global Lens 2013) plays The Human Rights Watch Film Festival in New York this June

THE PARADE, STUDENT and the rest of Global Lens 2013 soak up the summer screen…

Global Lens 2013 is heating up screens across the country all through the summer! This month in the spotlight:

Srdjan Dragojević’s THE PARADE is set to screen at the Human Rights Watch Film Festival this month (June 13-23) in New York City. Through its humane and shrewdly comedic story, this powerful film exposes us to gay rights issues that many face in Serbia today.

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NEWS: Global Lens 2013 @ MoMA!

Global Lens 2013: Change the Way You See the World

Our tenth anniversary opens with China’s Sixth Generation, Sebastián Silva, the biggest film you’ve ever seen from Brazil (literally), and a host of Global Lens alumnus.…

It’s our tenth year and we’re kicking off Global Lens 2013, January 10th-26th, with ten films at the Museum of Modern Art! It’s going to be some celebration…

BEIJING FLICKERS will open the series on January 10th with a week-run at MoMA and director Zhang Yuan and actor Li Xinjun in attendance, to launch the festivities (a must see: Zhang is the acclaimed director of Beijing Bastards, and part of the gritty Sixth Generation ethos—who in the ‘90s, pushed Chinese filmmaking out of an overly-romanticized lens into the alter-reality of its edgy, urban psyche).

Also in New York for the GL13 opening: Suman Ghosh for the North American premiere of SHYAMAL UNCLE TURNS OFF THE LIGHTS, on January 11th. This film is something to indeed be experienced with the director, as he runs his fingers through the tangled hair of Kolkata’s bureaucracy; an inspired and insightful work that carries a subtle charm, similar to another Global Lens standout.

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INDUSTRY: A Decade of Film

A retrospective look at Global Lens via the images and ideas that took our signature series from infancy to adulthood…

As writer Robert Mckee said, “Storytelling is the most powerful way to put ideas into the world today.”

We agree.

Stories are the basis of humanity. They teach, they entertain, and they shape how we see the world. As humans, we are wired to connect and bond with others.

GFI was created with this purpose: to create global understanding, empathy and connectivity through the powerful medium of film, and to promote and support the vibrant growth of global filmmaking. To date, we have distributed 96 independent films from over 38 countries to North American audiences, and hosted screenings in every U.S. state except North Dakota. (Anyone in North Dakota want to help us with our 2013 New Years Resolution? Contact us!)

Through these films, we hope to inspire people to keep learning about other perspectives and ways of life. In celebration of Global Lens’ 10th year anniversary in January, we take a look at some of our films and the themes they contain from the past decade…

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NEW ON DVD: ORDINARY PEOPLE and THE SHAFT!

Serbian War Drama ORDINARY PEOPLE and Zhang Chi’s Rural Triptych THE SHAFT to release on DVD September 27th

The Global Film Initiative is pleased to announce the DVD release of two new films from the Global Lens film series:

Dir. Vladimir Perisic Serbia, 2009, 79 minutes Serbian, with subtitles in English One quiet afternoon, a busload of young soldiers is unexpectedly forced to question the morality of their profession after being enlisted to execute civilian prisoners at a remote facility in the countryside. Cannes Semaine de la Critique and FIPRESCI Prize, Sarajevo Film Festival.
“A laureate of Cannes’ Cinéfondation program, Perisic pushes the viewer to search for meaning or morality behind his character’s acts—but the only conclusion seems to be that such acts are hopeless, unfathomable and beyond human control.” -Variety
“Quietly devastating, a slow burning fuse that ends with an implosion of heart and mind.-The Brag

THE SHAFT (DIXIA DE TIANKONG) Dir. Zhang Chi China, 2008, 98 minutes Mandarin, with subtitles in English In three intertwined stories, a father, son and daughter fight to hold onto hope and family as they face the harsh realities of life in a poor western Chinese mining town. New Directors/New Films and NETPAC

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The Not-So-Ordinary Acts of ORDINARY PEOPLE

GFI Board Member Igor Kirman on Vladimir Perisic’s question of mind versus morality

“The trouble with Eichmann was precisely that so many were like him, and that the many were neither perverted nor sadistic, that they were, and still are, terribly and terrifyingly normal.” –Hannah Arendt, “Eichmann in Jerusalem: A Report on the Banality of Evil”

“If the person for some reason knew it was illegal … and still obeyed it, he could not use the de-fense of obedience of orders …. Do you really need to bring a bunch of intelligent people into the room and tell them not to shoot babies?” –William Eckhard, Chief Prosecutor, My Lai court martial

A scene from Vladimir Perisic's ORDINARY PEOPLE

At the heart of Serbian writer-director Vladimir Perisic’s chilling film, ORDINARY PEOPLE, is the long-vexing question of whether morally depraved actions—in this case, the shoot-ing of unarmed men by a group of young soldiers—can be excused on the grounds that the perpetrators were following orders. The film succeeds in great measure by making this question harder to answer than may at first appear.

The plot is minimalist, with slow-takes and sparse dialogue. Although the director is careful not to locate the action, in time or place, to lend the film an air of universal significance, the language (Serbian) and other clues suggest the action takes somewhere in the former Yugoslavia during the 1990s. The

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