INTERVIEW: Life, Death and Moving On with Sebastián Silva

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Filmmaker Sebastán Silva

Rob Avila asks the [young] veteran about his very first feature, LIFE KILLS ME, and whether there’s any truth to the saying ‘what doesn’t kill you makes you stronger’…

Rob Avila met Sebastián Silva–the 34-year-old New York-based Chilean filmmaker, who received international acclaim in 2009 with his beautifully wrought, darkly funny drama, THE MAID (LA NANA)–at the beginning of a very big week. Silva debuted not one but two new films at the 2013 Sundance Film FestivalCRYSTAL FAIRY and MAGIC MAGIC—both featuring popular Canadian actor Michael Cera. Even before that happened, Silva headed to the Museum of Modern Art for the New York premiere of yet another of his films–his very first, 2007’s LIFE KILLS ME (LA VIDA ME MATA), as part of the Global Film Initiative’s Global Lens 2013 series.

LIFE KILLS ME centers on a taciturn young man, Gaspar (Gabriel Díaz), emotionally immobile and feebly suicidal with grief since the death of his idolized older brother. Gaspar lives with his older sister, his senile mother, and his dying grandfather, but occupies his time working as a cinematographer on a short horror film written and directed by, as well as starring, a flamboyant and irrepressible no-talent named Susana (the scene-stealing Claudia Celedón, who with costar Catalina Saavedra would go

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INDUSTRY: Behind the Scenes at the Global Lens 2013 MoMA Premiere

(L-R) Eric Schnedecker (Head of Sales-Acquisitions, Urban Distribution International), Rebeca Conget (Vice President Acquisitions and Distribution, Film Movement), Global Lens 2013 director Sebastián Silva, filmmaker Julia Solomonoff and Santhosh Daniel (Director of Programs) enjoy the party.

And this year was especially epic: A celebration of ten years of Global Lens films and the amazing partnerships we’ve formed over the years.

Jytte Jensen and MoMA, our founding partners, were the most gracious hosts ever.

The China Institute threw a wonderful reception to honor Zhang Yuan and our opening film BEIJING FLICKERS (and Zhang Yuan and Li Xinyun stole the show with their presence).

We couldn’t have asked Suman Ghosh and Sebastian Silva for better introductions to their films.

Rob Avila came through in wonderful fashion with director interviews (read our latest with Zhang Yuan here), and a whole host of friends, filmmakers, and film lovers came out to join in all the fun!

As February rolls around, we’re already full-speed ahead into our North American tour: from the Santa Barbara International Film Festival to a local theater in Juneau, Alaska. (Check out our calendar for more info!) Craving more instant updates? Head over to our Facebook page and follow us on Twitter!

And now, the round-up of snapshots from the milestone event!

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NEWS: Global Lens 2013 @ MoMA!

Global Lens 2013: Change the Way You See the World

Our tenth anniversary opens with China’s Sixth Generation, Sebastián Silva, the biggest film you’ve ever seen from Brazil (literally), and a host of Global Lens alumnus.…

It’s our tenth year and we’re kicking off Global Lens 2013, January 10th-26th, with ten films at the Museum of Modern Art! It’s going to be some celebration…

BEIJING FLICKERS will open the series on January 10th with a week-run at MoMA and director Zhang Yuan and actor Li Xinjun in attendance, to launch the festivities (a must see: Zhang is the acclaimed director of Beijing Bastards, and part of the gritty Sixth Generation ethos—who in the ‘90s, pushed Chinese filmmaking out of an overly-romanticized lens into the alter-reality of its edgy, urban psyche).

Also in New York for the GL13 opening: Suman Ghosh for the North American premiere of SHYAMAL UNCLE TURNS OFF THE LIGHTS, on January 11th. This film is something to indeed be experienced with the director, as he runs his fingers through the tangled hair of Kolkata’s bureaucracy; an inspired and insightful work that carries a subtle charm, similar to another Global Lens standout.

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SUPPORT: Our Roots Are Showing

The Inauguration: MARGARETTE'S FEAST, the first film acquired for Global Lens

After years of ‘pushing the envelope’ and ‘changing the game’ with Global Lens, we went back to the basics for our tenth year…

Global Lens 2013 is just around the corner, and if you haven’t noticed [with all the fanfare], it’s the tenth anniversary of our most beloved series. A ‘decade of film’—from silent to sign language, notes of opera and narrative “firsts.” Baghdad. Mina Gerais. The Caspian Sea…

It’s an accomplishment. Over the years, almost 100 filmmakers, from backgrounds as varied and diverse as the history of cinema, trusted us to take their vision to screen via Global Lens. That we did, with the help of just a few thousand friends. And in just a few short weeks, we’ll be heading to New York to christen this tenth year of Global Lens with our very first friend: the Museum of Modern Art.

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