Picture This: Reinventing the Single-Screen Cinema in Westchester

GFI chats with Global Lens partner The Picture House about history, change, and making the switch from commercial theater to arthouse cinematheque

A single screen, many stories

Last week we posted about the unfortunate closure of the Red Vic Movie House, one of San Francisco’s most unique and celebrated arthouse theaters for the past 31 years. As an antidote to that sad event, today we bring you a profile of The Picture House, Westchester County’s gorgeous single-screen theater that specializes in showing the best in independent, international and classical cinema.

A new screening-partner of ours, The Picture House hosted Global Lens 2011 last month, which of course included A USEFUL LIFE, Federico Veiroj’s bittersweet homage to cinephile culture. But unlike the film’s Cinemateca Uruguay, which is forced to close after the archive fails to make financial ends meet (and as other theaters across the United States are actively moving away from arthouse fare in favor of the latest blockbusters), the Picture House recently made the bold decision to a switch from a first-run commericial theater to an arthouse cinematheque. This past week we caught up with Jennifer Christman, Executive Director of The Picture House, to discuss this impressive move and the future of their institution.

Can you give our readers a brief overview of The Picture House, its history

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