3 ON 1: The Inside, Upside and Best Side of BECLOUD

This month, as we celebrate our newest addition to the Global Lens DVD family—Becloud (available June 28th)—we’re also taking the opportunity to introduce a new feature to our blog: the 3 on 1 column.

After years of separation, three boyhood friends reunite in Mexico City to overcome a tragedy that scarred their neighborhood, and childhood, years before.

3 on 1—what is it? Well, it’s three people (insiders, outsiders, fans and friends of GFI) speaking about one subject. Films, grantees, events and travel… The list of what we can discuss is endless. And this month, it all begins with Becloud (and three folks who you may already know):

Jeremy Quist (Global Lens Series Manager): Becloud first came to us as a grant-submission, back when we only knew the film as Vaho (its original Spanish-language title). So the forthcoming DVD release of this title is quite significant for us, having seen it first as an unassuming rough cut before the final sound mix was complete, then touring the finished film to great acclaim in Global Lens 2010, and now finally making it available to everyone on home video.

The outstanding technical quality of the DVD comes courtesy of our wonderful authoring facility, AM-DVD, and the packaging features gorgeous artwork from designer Gary Ponzo (who also created this awesome chandelier made completely out of

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Becloud: Soul of a Nation?

Director Alejandro Gerber Bicecci and Rob Avila discuss Mexico and the psychology behind the filmmaker’s debut feature

Alejandro Gerber Bicecci was born in Mexico in 1977, the son of two Argentine psychoanalysts who left their country’s military dictatorship the year before for the relative freedom of Mexico City. Becloud (Vaho), Bicecci’s first feature film, is being distributed by Global Film Initiative and is part of GFI’s 2010 Global Lens series. Filmed in an unconventional and sophisticated manner that blends three distinct time periods together into a nearly seamless whole, the story concerns the coming-of-age of three teenagers, boyhood friends implicated in a violent act at their school many years before. Out of this small, neighborhood story from a marginal community—set against the backdrop of Iztapalapa’s annual Easter-week reenactment of the Passion—arises a resonant portrait of modern Mexican society.

The following interview with Bicecci took place in San Francisco just before the opening night premiere of Becloud at the 2010 Hola Mexico Film Festival, which was co-presented by the Global Film Initiative.

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