MONTH IN REVIEW: Flying High with GFI

Flying high with GFI

Board member Shaari Ergas catches air with Virgin America, Evan Knopf joins our ground crew and our new Facebook page launches across the interwebs…

As the first rains of the season hit the West Coast, it makes us here at GFI want to cuddle up and watch good movies til Spring. Before we do that, however, we’ve had some moves to make–in the air, on the ground, and on the internet.

Continue reading MONTH IN REVIEW: Flying High with GFI

SUPPORT: You Say “Tomato” and I Say “Tomahto”

Global Lens and promoting a difference of opinion for the sake of diversity

Global Lens: grindhouse, arthouse, our house

Every year, we do our best to bring you the best in independent world cinema. And over the years, if there’s one thing we’ve learned, it’s that tastes vary from person to person and often what we see in a film isn’t always the same as what you see…

Earlier this year, we released what some audiences describe[d] as a “slasher” film–and others describe as an iconic representation of the “Indian New Wave.” For us, Sidharth Srinivasan’s SOUL OF SAND is an eccentric thriller that ‘delves into the dark interstices between Indian modernity and tradition,’ and for Memphis-based critic, John Beifuss:

“A blunt horror-art hybrid… With one foot in the arthouse and the other in the grindhouse.” [more]

Continue reading SUPPORT: You Say “Tomato” and I Say “Tomahto”

Veiroj Vérité

Rob Avila and Global Lens filmmaker, Federico Veiroj, discuss sexual rites of passage, Montevideo’s Jewish community and the director’s short film, AS FOLLOWS

With something more like resignation than enthusiasm, 13-year-old Rafael Bregman (Diego Radzewicz) prepares for his bar mitzvah. At the rabbi’s desk, he dutifully mouths the ceremonial Hebrew that comes so much less naturally to him than his native Spanish. But it’s all part of becoming a man in this Jewish enclave of Montevideo, Uruguay—and, as follows here, will no doubt prove a complex memory some day. (Perhaps it’s his own bar mitzvah that Bregman senior (Omar Varela) is remembering as he slumbers on his analyst’s couch!)

Federico Veiroj’s 13-minute short, As Follows (Bregman, el siguiente)—which GFI is distributing alongside the 35-year-old Uruguayan filmmaker’s feature film, A Useful Life (La Vida Útil)—is a wry, charming story of a rich Latin American subculture and a boy set on the uncertain, ambiguous cusp of manhood. Watch the entire film below and read on for an interview with Federico Veiroj!

Continue reading Veiroj Vérité