Behind the Curtain and After the Final Cut

Go beneath the surface to get the back-story on the films of Global Lens 2012

Click here to learn more about Kivu Ruhorahoza and GREY MATTER, the first narrative feature film produced in Rwanda by a native Rwandan filmmaker

Anyone familiar with the entertainment industry knows that sometimes off-screen activities can overshadow what’s happening in the films themselves. Take, for example, Lars von Trier’s controversy at Cannes last year or the preoccupation with Lindsay Lohan’s after-hours adventures. It’s easy to see why people like having this insider knowledge, but not all of it is scandalous—in fact, hearing the stories and secrets behind this year’s Global Lens films prove that there can be substance behind the curtain and after the final cut.

For example, Kivu Ruhorahoza’s GREY MATTER is about a young Rwandan filmmaker struggling to create a film that might help him reconcile the trauma of genocide. In reality, Kivu was only 12 years old during the 1994 Rwandan genocide and lived in constant fear for his family’s welfare. At the age of 16, he set out to become a filmmaker in a country with scarcely a tripod or sound equipment suitable for his camera. Needless to say, GREY MATTER’s story line of someone battling the odds to make a tough film is a direct expression of his artistic path

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