GRANTING: Victor Viyuoh, from Here to Eternity  

GFI grantee Victor Viyuoh conquers uncountable production delays, three crashed vans and one successful Kickstarter campaign to live up to the title he earned nearly ten years ago

Photo: Film Independent

In 2003, Victor Viyuoh, a young director born and raised in Cameroon, was named one of Filmmaker Magazine’s 25 New Faces of Indie Film. He had just completed his first short film, MBOUTOUKOU, which premiered at the Venice Film Festival, screened at the International Film Festival Rotterdam and received a Competition Award for best narrative short at the SXSW Film Festival.

It sounded like the beginning of a steadily rising career, but early success didn’t mean Victor would be free of setbacks—far from it, in fact. Between shipping misadventures, unfortunate climate changes and uncanny bad luck with production vehicles, the filming of his first feature, NINAH’S DOWRY, seemed doomed to begin with (Victor’s account of the process is the stuff nightmares are made of).

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