NOW PLAYING: Gustavo Pizzi’s Award-Winning Portrait of an Artist, CRAFT!

It’s been a while since a film captured an actor’s world with the intelligence, creativity and insight of Craft.-Variety

A wonderful and perfectly calibrated film….” -BrazilNYC

Like a well-seasoned actor who has the ability to charm or break your heart, Gustavo Pizzi’s visually rich CRAFT does both — effortlessly and beautifully. Featuring a pitch-perfect performance by Pizzi’s real-life wife, Karine Teles (upon whom the dazzling narrative of a struggling São Paulo actress/celebrity impersonator is based), this debut feature illustrates the kind of thrill and anxiety that often accompanies one’s dedication to a dream. Now available for booking in your festival or theater, along with nine other award-winning and critically acclaimed films from the Global Lens 2012 series!

Programmers and curators: View the 2012 lineup now on Vimeo or Festival Scope and email us at bookings@globalfilm.org to schedule the films today!

Film fans and enthusiasts: Read the list below and click on the map to find out where you can catch these fantastic films!

Continue reading NOW PLAYING: Gustavo Pizzi’s Award-Winning Portrait of an Artist, CRAFT!

INTERVIEW: Gustavo Pizzi on Honing a CRAFT

Brazilian director Gustavo Pizzi speaks to Rob Avila about collaborating with wife and lead actress, Karine Teles, to bring his first feature film to the screen…

Brazilian director Gustavo Pizzi’s mesmerizing first feature, CRAFT, explores a brief but important period in the life of an aspiring actress named Bianca (played memorably by co-screenwriter and the director’s wife, Karine Teles). While the story pivots on a career-changing opportunity handed the talented but long-struggling Bianca, CRAFT is just as concerned with the daily travails, compromises, and boredom faced by a working-class female artist in the bustling, sometimes unsparing metropolis of Rio de Janeiro. Teles’s brilliant performance and the film’s ingenious use of varying formats and perspectives offers the audience access to the private perspectives, creative energies, and emotional landscape of its subject. We glimpse a human being trying to strike some balance with a world too ready to reduce her to an “extra” of one kind or another, and an artist resolved to pursue her passion despite hardships and setbacks.

Gustavo Pizzi is a young-looking man in his early 30s with a warm and thoughtful disposition. He was sporting a dark beard and thick-framed glasses when I met him in the crowded bar-lounge tucked into the spacious lobby of the Roosevelt Hotel in Manhattan, ahead of CRAFT’s premiere at the Museum of Modern Art last January. We ordered coffee and waxed on for a few moments about the

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Behind the Curtain and After the Final Cut

Go beneath the surface to get the back-story on the films of Global Lens 2012

Click here to learn more about Kivu Ruhorahoza and GREY MATTER, the first narrative feature film produced in Rwanda by a native Rwandan filmmaker

Anyone familiar with the entertainment industry knows that sometimes off-screen activities can overshadow what’s happening in the films themselves. Take, for example, Lars von Trier’s controversy at Cannes last year or the preoccupation with Lindsay Lohan’s after-hours adventures. It’s easy to see why people like having this insider knowledge, but not all of it is scandalous—in fact, hearing the stories and secrets behind this year’s Global Lens films prove that there can be substance behind the curtain and after the final cut.

For example, Kivu Ruhorahoza’s GREY MATTER is about a young Rwandan filmmaker struggling to create a film that might help him reconcile the trauma of genocide. In reality, Kivu was only 12 years old during the 1994 Rwandan genocide and lived in constant fear for his family’s welfare. At the age of 16, he set out to become a filmmaker in a country with scarcely a tripod or sound equipment suitable for his camera. Needless to say, GREY MATTER’s story line of someone battling the odds to make a tough film is a direct expression of his artistic path

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