INDUSTRY: Happy Hour, How LOVELY

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Cozy up to the bar with us at Churchill!

We raise a toast to MISS LOVELY director and GFI grant recipient Ashim Ahluwahlia–the San Francisco Film Society’s newest Artist-in-Residence!

Is there a better way to offer a warm welcome than by sharing a celebratory cocktail at Churchill? We think not. On February 26, we joined our friends at the San Francisco Film Society in welcoming their new Artist-in-Residence, filmmaker Ashim Ahluwalia (director of MISS LOVELY), and boy, was it a success! Killer drinks, awesome giveaways and the best company around–what could be better?

Thanks to everyone who came out, and if you missed us, fear not! For we have assembled a fine batch of pictures through which to vicariously relive the night…

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TAKE INITIATIVE: The Theory (and Story) of Stone Soup

Soup's on: Matt Poland, CEO (far left) and Jerome Meyers, Public Services Director (far right), of the Hartford Public Libary with Jeremy Quist, Global Lens Series Manager and Santhosh Daniel, Director of Programs

Ten years later, the the folk tale is still the best way to define our community, films and programs

Do you know the story of “Stone Soup?” It goes something like this:

Some travelers come to a village, carrying nothing more than an empty cooking pot. Suspicious, the villagers are unwilling to share any of their food with the hungry travelers. So, the travelers go to a stream and fill the pot with water, drop a large stone in it, and place it over a fire…

Eventually, one of the villagers becomes curious and asks what they are doing. The travelers declare, “We’re making stone soup!” “What does it taste like?” asks the villager. And the travelers say, “Why, it tastes wonderful—but could use something to improve the flavor.” Enchanted, the villager decides to give them a few carrots…

A few moments later, another villager walks by. And the travelers again mention their stone soup, which still needs “something” to make it just right. The villager hands them a little bit of seasoning to help them out. Eventually, more and more villagers walk by, each adding another ingredient. And finally, the entire village adds a little something, and

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SPOTLIGHT: Cinema Comes to Life in Salt Lake City

As the Salt Lake Film Society prepares to present Global Lens 2012, Jeremy Quist reveals some secrets about his relationship with Utah, and makes you an offer you can’t refuse…

Although I’ve spent very little time there, the great state of Utah has managed to figure quite prominently in my life. For starters – and this is where we all get to learn a little something about Jeremy – I used to clog when I was (much) younger, and every summer we would sharpen our skills by attending the BYU Cougar Clogging Classic dance camp in Provo. Secondly, almost four years ago my wife and I decided to move from New York to San Francisco, and the memory of driving our rental truck for several hours through the salt flats of western Utah, still remains unbelievably vivid in my mind. And last but certainly not least, when I started working for the Global Film Initiative several years ago, the Salt Lake Film Society (SLFS) was one of the very first Global Lens screening-partners I spoke to, and they have been a pleasure to work with ever since.

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Deep in the Heart of Texas: Global Lens at the San Antonio Museum of Art!

Okay, everyone, full disclosure here: I’m ashamed to admit it, but I know next to nothing about San Antonio. I know a little bit about the Alamo, sure, but not nearly as much as I should. I know that Carol Burnett and Joan Crawford are both from there, but I learned that just now from the Internets. What I do know quite well, however, is that if you happen to be in San Antonio and you’re looking for the best in world cinema, then you’re in luck. All you have to do is head over to the San Antonio Museum of Art and drop in on a Global Lens 2012 film!

This is the Museum’s first year hosting the series, and we couldn’t be happier to be working with them. Responsible for the collaboration are the delightful Katie Erickson (Director of Education) and the equally delightful Nicole McLeod (Assistant Director of Education) who’s mutual love of movies inspired them to explore different ways of offering film programming at their (beautiful) institution, tailoring the programming to SAMA’s permanent collection. When speaking to her over the phone recently, Katie noted that she and Nicole first became interested in GFI because their collection is encyclopedic in nature — spanning continents and many cultures — and so Global Lens seemed to be a

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Global Lens 2012 @ MoMA and Beyond!

This year’s launch in New York set our universe in motion thanks to a host of filmmakers, friends and more than a little help from MoMA and a one-man army…

Angelica in the Stars

Angelica Dongallo, Acquisitions & Granting Dynamo, kicks-off Global Lens 2012 amongst the stars

 

What can we say–it was spectacular. And for as much as we’d really like to tell you about the launch of Global Lens 2012 in New York, pictures do the job so much better. The stars were out and in alignment, and the year began with a big bang, cosmic kismet and maybe even a few good parties–see for yourself!

Next stop: everywhere. Global Lens 2012 will be playing all across the U.S. and Canada, from Palm Springs to Boston, Latin Wave in Houston and Vue d’Afrique in Montreal–check our calendar!

A special thanks to Jytte Jensen, Curator, and Clay Farland, at the MoMA Department of Film; Consul General M. Levent Bilgen, Consul Ismet Erikan and the Turkish Consulate General of New York; Robert Avila; Gary Ponzo; Gianfranco Sorrentino and our friends at Gattopardo; Carlos Gutierrez; Tom Vick at the Smithsonian Institution; Engin “One-Man Army” Yeniduniya; and Global Lens 2012 directors Bujar Alimani, Tolga Karacelik, Carlos Osuna, Gustavo Pizzi, and Oday Rasheed–none of this would’ve been possible without you.

 

 

 

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FEATURE: 3 on 1: Frequent Flyer Benefits

It's the most, wonderful, time of the year.

Global Lens Series Manager Jeremy Quist and Marketing & Publicity Manager Hilary Lawson share their experiences on the road, while a special guest weighs in on American cinema from an international perspective…

Traveling. Around this time of year, it tends to get a bad rap. Everyone can relate to long lines, the affects of jet lag and the questionable quality of airplane food. However, in all the groaning and moaning, the bigger picture of why we travel in the first place can get lost. After all, what’s a bit of a stiff neck in comparison to the joy of visiting friends and family, getting a change of scenery, and adding new people and experiences to your life?

Admittedly, this might be easier for us to say, as the GFI staff has recently returned from some unforgettable trips. Santhosh Daniel (Director of Programs) attended the 16th Busan International Film Festival, Hilary Lawson (Marketing & Publicity Manager) traveled to the 52nd Thessaloniki International Film Festival, Jeremy Quist (Global Lens Series Manager) was invited as an honorary

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First Time’s a Charm: Global Lens Comes to Iowa!

In October of 2008, my wife and I—along with our 2 cats and everything we owned—drove a Budget rental truck across the country, from New York to San Francisco. We would have loved to have taken our time and done some sightseeing, but we were under a bit of a time constraint, so we pretty much stuck to Interstate 80 during the day, and after the sun went down, finding the closest Super 8 (very highly recommended, and many of them allow cats!). On our second night, we stayed in Peru, IL, before pressing onward the next morning. If, however, we had ended up making our big cross-country move exactly 3 years later, I definitely would have driven the extra 2 hours to ensure that we spent that night in Iowa City so we could catch a Global Lens 2011 film at the University of Iowa’s incredible Bijou Cinema!

All of us here at GFI are particularly excited about the Bijou Cinema hosting the series as it marks the very first time that Global Lens has been shown in the state of Iowa. Thanks to the enthusiasm of the wonderful Christina Buckles (Programming Director and Comparative Literature PhD student) and the Bijou’s dedicated volunteer staff, the University of Iowa’s student-run cinema is bringing Global Lens 2011 to the greater Iowa City community from October 29th to November 10th. The Bijou has

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3 ON 1: The Inside, Upside and Best Side of BECLOUD

This month, as we celebrate our newest addition to the Global Lens DVD family—Becloud (available June 28th)—we’re also taking the opportunity to introduce a new feature to our blog: the 3 on 1 column.

After years of separation, three boyhood friends reunite in Mexico City to overcome a tragedy that scarred their neighborhood, and childhood, years before.

3 on 1—what is it? Well, it’s three people (insiders, outsiders, fans and friends of GFI) speaking about one subject. Films, grantees, events and travel… The list of what we can discuss is endless. And this month, it all begins with Becloud (and three folks who you may already know):

Jeremy Quist (Global Lens Series Manager): Becloud first came to us as a grant-submission, back when we only knew the film as Vaho (its original Spanish-language title). So the forthcoming DVD release of this title is quite significant for us, having seen it first as an unassuming rough cut before the final sound mix was complete, then touring the finished film to great acclaim in Global Lens 2010, and now finally making it available to everyone on home video.

The outstanding technical quality of the DVD comes courtesy of our wonderful authoring facility, AM-DVD, and the packaging features gorgeous artwork from designer Gary Ponzo (who also created this awesome chandelier made completely out of

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WEEK IN REVIEW: GFI, Unsubtitled

What We Watch When We’re Not Watching Global Lens

One of the great perks of working at the Global Film Initiative is that we get to watch interesting, exciting films from around the world. It’s like being a kid in a candy store, except instead of candy, we have shelves full of new and unreleased films–and the mailman brings more every day!

However, just as pastry chefs sometimes feel like a burger or mystery novelists might dabble in haiku from time to time, we also run the gamut when it comes to what we watch “off the clock.” Here’s just a sampling of what the GFI staffers have been filling their screen time with:

Marketing and Publicity Manager Hilary Lawson has worked her way through four seasons of the awesomely-80s action thriller series MacGyver. Obviously, watching Richard Dean Anderson create a bomb using silly putty or a make a magnifying glass with a hair pin and white wine never gets old. Ever.

Granting & Distribution Coordinator Angelica Dongallo, swooned all over again while re-visiting old an old episode of the Mickey Mouse Club. In confessing this to the rest of the staff, she managed to embarrass herself and make us all feel kind of old.

Director of Programs Santhosh Daniel watched Fantastic Mr. Fox for the 30th time, matching his childhood record for reading the

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Seems Like Old Times: Global Lens 2011 @ SIFF and the TIFF Lightbox

If memory serves correctly, the first opening night film gala I ever attended was in 1995, at the Seattle International Film Festival (SIFF). The film was Braveheart (which when complemented with a later screening of Swimming With Sharks, effectively convinced me not to work in Hollywood), and it was just before I left for graduate school–and I remember wondering if I would ever return to home to attend another SIFF screening.

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