FESTIVALS & AWARDS: Berlinale, Rotterdam and Beyond

SO MUCH WATER (Uruguay) and A FOLD IN MY BLANKET (Georgia) @ Berlinale Panorama are just two jewels in a mother lode of GFI films, fests and awards this month….

SO MUCH WATER (Uruguay), GFI grant recipient, premieres at Berlinale!

 

It’s a new year and our Global Lens films and GFI grant recipients are back in a big way, with screenings all over Europe this month for some of the biggest conferences of world cinema on the globe, at Berlin, Rotterdam and beyond. Without further adieu, here are this month’s headlines:

BERLIN INTERNATIONAL FILM FESTIVAL: The Berlin International Film Festival is always host of a wide array of world and European premieres, and this year these premieres include those of six GFI grant recipients—likely our greatest showing at Berlinale to-date!

For those of you attending Berlinale, be sure to catch our grant recipients—from Costa Rica to China—premiering and screening at this year’s festival:

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NEWS: Eye of the Tiger

After a year of hunkering down and “getting it done,” GFI films make a spectacular splash at Rotterdam…

De Doelen @ IFFR

It’s no secret that since the dawn of our existence, the International Film Festival of Rotterdam (IFFR) has been one of our closest “professional” friends…

We’ve received golden advice from Simon Field on our Granting Program, and Sandra den Hamer sits on our Film Board. And, of course, as our filmmakers know, we’ve run around the world, from Busan to Valdivia, with our friends from Cinemart and Hubert Bals.

In other words, we love IFFR. Not just de Doelen, frites and films. Or the characteristic chill and rooftop cocktails. We love all those things, yes. But ultimately, what we cherish is the inspired purpose of the festival, and how it has launched (and loved), so many of the filmmakers we also support.

So, it’s with a great pride and pleasure that we note this year’s festival, IFFR 2013, is presenting more than just a few of our filmmakers. In Bright Future. Spectrum. And more:

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NEWS: Global Lens 2013 @ MoMA!

Global Lens 2013: Change the Way You See the World

Our tenth anniversary opens with China’s Sixth Generation, Sebastián Silva, the biggest film you’ve ever seen from Brazil (literally), and a host of Global Lens alumnus.…

It’s our tenth year and we’re kicking off Global Lens 2013, January 10th-26th, with ten films at the Museum of Modern Art! It’s going to be some celebration…

BEIJING FLICKERS will open the series on January 10th with a week-run at MoMA and director Zhang Yuan and actor Li Xinjun in attendance, to launch the festivities (a must see: Zhang is the acclaimed director of Beijing Bastards, and part of the gritty Sixth Generation ethos—who in the ‘90s, pushed Chinese filmmaking out of an overly-romanticized lens into the alter-reality of its edgy, urban psyche).

Also in New York for the GL13 opening: Suman Ghosh for the North American premiere of SHYAMAL UNCLE TURNS OFF THE LIGHTS, on January 11th. This film is something to indeed be experienced with the director, as he runs his fingers through the tangled hair of Kolkata’s bureaucracy; an inspired and insightful work that carries a subtle charm, similar to another Global Lens standout.

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GLOBAL LENS 2012: Meet the Directors

A long-haired rocker seeking acceptance, an adult returning to the beaches of her childhood and an artist looking for the meaning in monotony are just a few of the minds behind this year’s series…

From left: Gustavo Pizzi (CRAFT, Brazil) and Tolga Karacelik (TOLL BOOTH, Turkey) at the Global Lens 2012 premiere in New York

Every person has a voice. Every voice tells a story. Every story reveals a world.

The Global Lens series trailer opens with these 15 words, and they really do sum up why we’re here. We work with film, but more importantly, we work with people. And by using film to give life to their stories, these people have become the living, breathing embodiment of Global Lens.

With this in mind, we’d like to introduce you to the brilliant filmmakers behind the Global Lens 2012 series, and let them explain the concept, creation & message of their work for themselves.

Sharing these stories is what we’re all about, and the reason why, after all these years, the words of the Global Lens trailer still ring true.

Ladies and gentlemen, here they are, the directors of Global Lens 2012!

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Oday Rasheed on the Making of QARANTINA and Remaking Baghdad in Today’s Iraq

Rob Avila and Iraqi director Oday Rasheed discuss the genesis of inspiration against a backdrop of war, politics and filmmaking

Iraqi director Oday Rasheed talks to Rob Avila during the premiere of Global Lens 2012 at MoMA

Oday Rasheed is one of only a small handful of filmmakers working and producing in Iraq today. His first feature, Underexposure (2005), captured the immediate aftermath of the 2003 U.S.-led invasion of Iraq in a fictional documentary-style story about a Baghdad filmmaker trying to make sense of the tumult of this period. Soon after its debut, Rasheed left the growing sectarian violence in Baghdad for Berlin, where he immersed himself in film studies, gravitating to the works of Andrei Tarkovsky, among others, and eventually developed the script for his second feature, Qarantina. He returned to Baghdad in 2008 to make the film, which was completed in 2010.

Qarantina is one of ten awarding-winning films featured in the Global Lens 2012 series, premiering this January at the Museum of Modern Art (MoMA). Oday was able to attend his Global Lens screening in New York as part of a short U.S. tour that includes multiple screenings at MoMA, and a presentation of the film at the Council on Foreign Relations on January 25th, and also at the Georgetown University School of Foreign Service on January 30th.

Recently, during the premiere of Global Lens

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SUPPORT: Art as Diplomacy

How film can be just as good as a handshake when it comes to crossing borders and building relationships

WATCH: Global Lens 2012 director Oday Rasheed speaks with Deb Amos of NPR about QARANTINA and living and working in Baghdad

Ever since our founding, the phrase ‘promoting cross-cultural understanding through cinema’ has echoed with every presentation of Global Lens we sponsor, every grant we award, and every educational screening we host. Our belief is that film, especially world cinema, has the ability to transcend politics and lines of conflict, exposing us to new cultures and new ways of thinking, allowing for better communication as a global society.

It’s a spectacular concept, and hardly the first of its kind—over the centuries, art and literature have always had the same power. However, when it comes to film, for as simple as it sounds, until audiences see this process in action, the phrase rings a bit theoretical, and idealistic. In fact, in a world where the majority of people consider film a form of entertainment, saying it is anything other than that is a hard sell—unless of course we “sell” it within a context other than entertainment.

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Global Lens 2012 @ MoMA and Beyond!

This year’s launch in New York set our universe in motion thanks to a host of filmmakers, friends and more than a little help from MoMA and a one-man army…

Angelica in the Stars

Angelica Dongallo, Acquisitions & Granting Dynamo, kicks-off Global Lens 2012 amongst the stars

 

What can we say–it was spectacular. And for as much as we’d really like to tell you about the launch of Global Lens 2012 in New York, pictures do the job so much better. The stars were out and in alignment, and the year began with a big bang, cosmic kismet and maybe even a few good parties–see for yourself!

Next stop: everywhere. Global Lens 2012 will be playing all across the U.S. and Canada, from Palm Springs to Boston, Latin Wave in Houston and Vue d’Afrique in Montreal–check our calendar!

A special thanks to Jytte Jensen, Curator, and Clay Farland, at the MoMA Department of Film; Consul General M. Levent Bilgen, Consul Ismet Erikan and the Turkish Consulate General of New York; Robert Avila; Gary Ponzo; Gianfranco Sorrentino and our friends at Gattopardo; Carlos Gutierrez; Tom Vick at the Smithsonian Institution; Engin “One-Man Army” Yeniduniya; and Global Lens 2012 directors Bujar Alimani, Tolga Karacelik, Carlos Osuna, Gustavo Pizzi, and Oday Rasheed–none of this would’ve been possible without you.

 

 

 

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