FOCUS: An Indian Indie

From dodging debt to clearing censorship, SOUL OF SAND director, Sidharth Srinivasan, discusses the genesis of a film fueled by “passion, persistence, patience–and pig headedness!”

(Image courtesy of Sidharth Srinivasan)

It’s been three achingly long years from script to screen. We shot PAIRON TALLE (SOUL OF SAND) as an utter indie, sans any form of corporate funding let alone guarantee of completion, on love, not-so-fresh air and foolhardiness, in the fall of 2008. To embark on such a venture one has to contend with a veritable host of naysayers—aghast outsiders, concerned family members and frowning well-wishers, and during pre-production I could almost smell the cast and crew clandestinely questioning the folly of my endeavors behind my back, but supporting me nonetheless for my very personal Waterloo (bless their souls). I say stick to your guns if the project has stuck with you for as long as it has—independent filmmaking is the exclusive domain of masochists who revel in the pleasure/pain principle…

Once principal photography began in earnest everyone was disbelievingly stunned into action, as it were, and spirits ran alarmingly high – the joy of a successful shoot is akin to chasing that ubiquitous dragon. But the low that came post-shooting hit like a ton of bricks – case in point, our film was in the proverbial can but we were over-budget (despite having completed

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SUPPORT: You Say “Tomato” and I Say “Tomahto”

Global Lens and promoting a difference of opinion for the sake of diversity

Global Lens: grindhouse, arthouse, our house

Every year, we do our best to bring you the best in independent world cinema. And over the years, if there’s one thing we’ve learned, it’s that tastes vary from person to person and often what we see in a film isn’t always the same as what you see…

Earlier this year, we released what some audiences describe[d] as a “slasher” film–and others describe as an iconic representation of the “Indian New Wave.” For us, Sidharth Srinivasan’s SOUL OF SAND is an eccentric thriller that ‘delves into the dark interstices between Indian modernity and tradition,’ and for Memphis-based critic, John Beifuss:

“A blunt horror-art hybrid… With one foot in the arthouse and the other in the grindhouse.” [more]

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WATCH: Director of Programs Santhosh Daniel on Film Funding and the Future of Indian Cinema

The San Francisco International Asian American Film Festival (SFIAAFF), the nation’s largest showcase for new Asian American and Asian films, is presented each year by the Center for Asian American Media (CAAM)–-our neighbors upstairs at the Ninth Street Independent Film Center!

This year, GFI’s Director of Programs Santhosh Daniel will be a panelist at the SFIAAFF‘s panel discussion, “Stepping Forward, Looking Back: Taking Stock of the Nature, Business and Future of Indian Cinema” taking place on Saturday, March 12th at the Sundance Kabuki Cinema in San Francisco. In preparation for the event, Santhosh sat down with the folks at CAAM to give some exclusive insight into his thoughts on Indian cinema and offer advice to aspiring filmmakers. Watch the interview above and click here for more information about the event!