NOW PLAYING: Gustavo Pizzi’s Award-Winning Portrait of an Artist, CRAFT!

It’s been a while since a film captured an actor’s world with the intelligence, creativity and insight of Craft.-Variety

A wonderful and perfectly calibrated film….” -BrazilNYC

Like a well-seasoned actor who has the ability to charm or break your heart, Gustavo Pizzi’s visually rich CRAFT does both — effortlessly and beautifully. Featuring a pitch-perfect performance by Pizzi’s real-life wife, Karine Teles (upon whom the dazzling narrative of a struggling São Paulo actress/celebrity impersonator is based), this debut feature illustrates the kind of thrill and anxiety that often accompanies one’s dedication to a dream. Now available for booking in your festival or theater, along with nine other award-winning and critically acclaimed films from the Global Lens 2012 series!

Programmers and curators: View the 2012 lineup now on Vimeo or Festival Scope and email us at bookings@globalfilm.org to schedule the films today!

Film fans and enthusiasts: Read the list below and click on the map to find out where you can catch these fantastic films!

Continue reading NOW PLAYING: Gustavo Pizzi’s Award-Winning Portrait of an Artist, CRAFT!

SUPPORT: Live and Learn

Soul of Sand

A Serious Slice of Life: SOUL OF SAND (Global Lens Collection)

Interpreting an education via the sights, sound and sensibilities of daily life

“Summertime and the livin’ is easy”–isn’t that what Ella said? Days become longer, lazier. Clothes are looser. Planets hang low on the horizon, just above sunset…

I think it’s safe to say most people enjoy summer. And I’m no exception. For me, the ‘easy livin’ represents a better classroom, a time to take the world in, without rush; certainly that’s what happens at the Global Film Initiative, when we spend countless twilights, reviewing hundreds of films and scripts, to determine our next season of Global Lens and grant-recipients.

But work aside, summer does really seem to represent a time to pause. Schools are out, and most governments are not in session. And if I think back to childhood–and my annual, transcontinental summer experiment of living in India and Malaysia, courtesy of my parents–I certainly learned just as much from that season as I did in school…

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INTERVIEW: Gustavo Pizzi on Honing a CRAFT

Brazilian director Gustavo Pizzi speaks to Rob Avila about collaborating with wife and lead actress, Karine Teles, to bring his first feature film to the screen…

Brazilian director Gustavo Pizzi’s mesmerizing first feature, CRAFT, explores a brief but important period in the life of an aspiring actress named Bianca (played memorably by co-screenwriter and the director’s wife, Karine Teles). While the story pivots on a career-changing opportunity handed the talented but long-struggling Bianca, CRAFT is just as concerned with the daily travails, compromises, and boredom faced by a working-class female artist in the bustling, sometimes unsparing metropolis of Rio de Janeiro. Teles’s brilliant performance and the film’s ingenious use of varying formats and perspectives offers the audience access to the private perspectives, creative energies, and emotional landscape of its subject. We glimpse a human being trying to strike some balance with a world too ready to reduce her to an “extra” of one kind or another, and an artist resolved to pursue her passion despite hardships and setbacks.

Gustavo Pizzi is a young-looking man in his early 30s with a warm and thoughtful disposition. He was sporting a dark beard and thick-framed glasses when I met him in the crowded bar-lounge tucked into the spacious lobby of the Roosevelt Hotel in Manhattan, ahead of CRAFT’s premiere at the Museum of Modern Art last January. We ordered coffee and waxed on for a few moments about the

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Behind the Curtain and After the Final Cut

Go beneath the surface to get the back-story on the films of Global Lens 2012

Click here to learn more about Kivu Ruhorahoza and GREY MATTER, the first narrative feature film produced in Rwanda by a native Rwandan filmmaker

Anyone familiar with the entertainment industry knows that sometimes off-screen activities can overshadow what’s happening in the films themselves. Take, for example, Lars von Trier’s controversy at Cannes last year or the preoccupation with Lindsay Lohan’s after-hours adventures. It’s easy to see why people like having this insider knowledge, but not all of it is scandalous—in fact, hearing the stories and secrets behind this year’s Global Lens films prove that there can be substance behind the curtain and after the final cut.

For example, Kivu Ruhorahoza’s GREY MATTER is about a young Rwandan filmmaker struggling to create a film that might help him reconcile the trauma of genocide. In reality, Kivu was only 12 years old during the 1994 Rwandan genocide and lived in constant fear for his family’s welfare. At the age of 16, he set out to become a filmmaker in a country with scarcely a tripod or sound equipment suitable for his camera. Needless to say, GREY MATTER’s story line of someone battling the odds to make a tough film is a direct expression of his artistic path

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GLOBAL LENS 2012: Meet the Directors

A long-haired rocker seeking acceptance, an adult returning to the beaches of her childhood and an artist looking for the meaning in monotony are just a few of the minds behind this year’s series…

From left: Gustavo Pizzi (CRAFT, Brazil) and Tolga Karacelik (TOLL BOOTH, Turkey) at the Global Lens 2012 premiere in New York

Every person has a voice. Every voice tells a story. Every story reveals a world.

The Global Lens series trailer opens with these 15 words, and they really do sum up why we’re here. We work with film, but more importantly, we work with people. And by using film to give life to their stories, these people have become the living, breathing embodiment of Global Lens.

With this in mind, we’d like to introduce you to the brilliant filmmakers behind the Global Lens 2012 series, and let them explain the concept, creation & message of their work for themselves.

Sharing these stories is what we’re all about, and the reason why, after all these years, the words of the Global Lens trailer still ring true.

Ladies and gentlemen, here they are, the directors of Global Lens 2012!

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Global Lens 2012 @ MoMA and Beyond!

This year’s launch in New York set our universe in motion thanks to a host of filmmakers, friends and more than a little help from MoMA and a one-man army…

Angelica in the Stars

Angelica Dongallo, Acquisitions & Granting Dynamo, kicks-off Global Lens 2012 amongst the stars

 

What can we say–it was spectacular. And for as much as we’d really like to tell you about the launch of Global Lens 2012 in New York, pictures do the job so much better. The stars were out and in alignment, and the year began with a big bang, cosmic kismet and maybe even a few good parties–see for yourself!

Next stop: everywhere. Global Lens 2012 will be playing all across the U.S. and Canada, from Palm Springs to Boston, Latin Wave in Houston and Vue d’Afrique in Montreal–check our calendar!

A special thanks to Jytte Jensen, Curator, and Clay Farland, at the MoMA Department of Film; Consul General M. Levent Bilgen, Consul Ismet Erikan and the Turkish Consulate General of New York; Robert Avila; Gary Ponzo; Gianfranco Sorrentino and our friends at Gattopardo; Carlos Gutierrez; Tom Vick at the Smithsonian Institution; Engin “One-Man Army” Yeniduniya; and Global Lens 2012 directors Bujar Alimani, Tolga Karacelik, Carlos Osuna, Gustavo Pizzi, and Oday Rasheed–none of this would’ve been possible without you.

 

 

 

Continue reading Global Lens 2012 @ MoMA and Beyond!