FESTIVALS & AWARDS: Africa Movie Academy Awards, Miami IFF, ReelWorld FF and festivals, festivals, FESTIVALS!

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Screening of TANTA AGUA

NINAH’S DOWRY (Cameroon), SO MUCH WATER (Uruguay) and WHEN I SAW YOU (Palestine/Jordan) are just a few titles among a host of Global Lens films and grant recipients keeping our news feed a-buzzing…

The buzz just won’t stop. From nominations, to awards, to screenings in festivals across the globe, GFI grant recipients and Global Lens films are continuing to impress in a big way. Check out the most recent news:

Continue reading FESTIVALS & AWARDS: Africa Movie Academy Awards, Miami IFF, ReelWorld FF and festivals, festivals, FESTIVALS!

FESTIVALS & AWARDS: Miami IFF, FESPACO, Guadalajara IFF, Berlinale Awards and more!

The forecast is sunny for BEIJING FLICKERS (China), NO AUTUMN, NO SPRING (Ecuador) and SO MUCH WATER (Uruguay) @ Miami!

Just two months into 2013 and already a number of GFI grant recipients and Global Lens films have been stirring up international hype from Berlin to Burkina Faso. Here’s the scoop:

GFI grant recipient NO AUTUMN, NO SPRING (Ecuador) screens in Cartagena and Miami International Film Festivals!

GFI grant recipient NO AUTUMN, NO SPRING (Ecuador) screens in Cartagena and Miami International Film Festivals!

BERLIN INTERNATIONAL FILM FESTIVAL: Annemarie Jacir’s WHEN I SAW YOU (Palestine/Jordan, Summer 2011 honorable mention) took home the NETPAC award from Berlinale! The jury noted after its unanimous vote: “We were all impressed by the film’s distinctive narrative perspective: that of conveying the longing for freedom of an oppressed people in an era when idealism, solidarity and justice still had meaning…” Read on, here!

CARTAGENA INTERNATIONAL FILM FESTIVAL: SO MUCH WATER (dir. Ana Guevara and Leticia Jorge, Uruguay, Summer 2012 honorable mention), following its premiere at the Berlin International Film Festival, won the FIPRESCI Prize after receiving waves of screen time at the Cartagena International Film Festival (FICCI)! The film continues on to several other renowned festivals (see

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FESTIVALS & AWARDS: Berlinale, Rotterdam and Beyond

SO MUCH WATER (Uruguay) and A FOLD IN MY BLANKET (Georgia) @ Berlinale Panorama are just two jewels in a mother lode of GFI films, fests and awards this month….

SO MUCH WATER (Uruguay), GFI grant recipient, premieres at Berlinale!

 

It’s a new year and our Global Lens films and GFI grant recipients are back in a big way, with screenings all over Europe this month for some of the biggest conferences of world cinema on the globe, at Berlin, Rotterdam and beyond. Without further adieu, here are this month’s headlines:

BERLIN INTERNATIONAL FILM FESTIVAL: The Berlin International Film Festival is always host of a wide array of world and European premieres, and this year these premieres include those of six GFI grant recipients—likely our greatest showing at Berlinale to-date!

For those of you attending Berlinale, be sure to catch our grant recipients—from Costa Rica to China—premiering and screening at this year’s festival:

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NEWS: Global Lens 2013 @ MoMA!

Global Lens 2013: Change the Way You See the World

Our tenth anniversary opens with China’s Sixth Generation, Sebastián Silva, the biggest film you’ve ever seen from Brazil (literally), and a host of Global Lens alumnus.…

It’s our tenth year and we’re kicking off Global Lens 2013, January 10th-26th, with ten films at the Museum of Modern Art! It’s going to be some celebration…

BEIJING FLICKERS will open the series on January 10th with a week-run at MoMA and director Zhang Yuan and actor Li Xinjun in attendance, to launch the festivities (a must see: Zhang is the acclaimed director of Beijing Bastards, and part of the gritty Sixth Generation ethos—who in the ‘90s, pushed Chinese filmmaking out of an overly-romanticized lens into the alter-reality of its edgy, urban psyche).

Also in New York for the GL13 opening: Suman Ghosh for the North American premiere of SHYAMAL UNCLE TURNS OFF THE LIGHTS, on January 11th. This film is something to indeed be experienced with the director, as he runs his fingers through the tangled hair of Kolkata’s bureaucracy; an inspired and insightful work that carries a subtle charm, similar to another Global Lens standout.

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INDUSTRY: A Decade of Film

A retrospective look at Global Lens via the images and ideas that took our signature series from infancy to adulthood…

As writer Robert Mckee said, “Storytelling is the most powerful way to put ideas into the world today.”

We agree.

Stories are the basis of humanity. They teach, they entertain, and they shape how we see the world. As humans, we are wired to connect and bond with others.

GFI was created with this purpose: to create global understanding, empathy and connectivity through the powerful medium of film, and to promote and support the vibrant growth of global filmmaking. To date, we have distributed 96 independent films from over 38 countries to North American audiences, and hosted screenings in every U.S. state except North Dakota. (Anyone in North Dakota want to help us with our 2013 New Years Resolution? Contact us!)

Through these films, we hope to inspire people to keep learning about other perspectives and ways of life. In celebration of Global Lens’ 10th year anniversary in January, we take a look at some of our films and the themes they contain from the past decade…

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NEW ON DVD: ORDINARY PEOPLE and THE SHAFT!

Serbian War Drama ORDINARY PEOPLE and Zhang Chi’s Rural Triptych THE SHAFT to release on DVD September 27th

The Global Film Initiative is pleased to announce the DVD release of two new films from the Global Lens film series:

Dir. Vladimir Perisic Serbia, 2009, 79 minutes Serbian, with subtitles in English One quiet afternoon, a busload of young soldiers is unexpectedly forced to question the morality of their profession after being enlisted to execute civilian prisoners at a remote facility in the countryside. Cannes Semaine de la Critique and FIPRESCI Prize, Sarajevo Film Festival.
“A laureate of Cannes’ Cinéfondation program, Perisic pushes the viewer to search for meaning or morality behind his character’s acts—but the only conclusion seems to be that such acts are hopeless, unfathomable and beyond human control.” -Variety
“Quietly devastating, a slow burning fuse that ends with an implosion of heart and mind.-The Brag

THE SHAFT (DIXIA DE TIANKONG) Dir. Zhang Chi China, 2008, 98 minutes Mandarin, with subtitles in English In three intertwined stories, a father, son and daughter fight to hold onto hope and family as they face the harsh realities of life in a poor western Chinese mining town. New Directors/New Films and NETPAC

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