NEWS: Ashim Ahluwalia @ San Francisco Film Society, February 23rd-March 9th

Ashim Ahluwalia

Ashim Ahluwalia

SF Film Society announces its newest Artist in Residence and it happens to be one of our filmmakers. How LOVELY…

After what seems to be the longest drum-roll ever, we’re pleased to announce that Indian director (and GFI grantee) Ashim Ahluwalia will be visiting the Bay Area next month as part of the San Francisco Film Society’s Artist in Residence program, February 23rd-March 9th!

The residency will feature the Bay Area premiere of MISS LOVELY–Ashim’s second feature, post Cannes, currently in Rotterdam, big stuff—on Thursday, January 28th (co-presented by GFI–tickets here), and a post-screening discussion moderated by Ivan Jaigirdar (of 3rdi). Also included in the residency will be visits to schools and universities, and in-classroom screenings of Ashim’s first film, JOHN & JANE (students only).

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NEWS: Global Lens 2013 @ MoMA!

Global Lens 2013: Change the Way You See the World

Our tenth anniversary opens with China’s Sixth Generation, Sebastián Silva, the biggest film you’ve ever seen from Brazil (literally), and a host of Global Lens alumnus.…

It’s our tenth year and we’re kicking off Global Lens 2013, January 10th-26th, with ten films at the Museum of Modern Art! It’s going to be some celebration…

BEIJING FLICKERS will open the series on January 10th with a week-run at MoMA and director Zhang Yuan and actor Li Xinjun in attendance, to launch the festivities (a must see: Zhang is the acclaimed director of Beijing Bastards, and part of the gritty Sixth Generation ethos—who in the ‘90s, pushed Chinese filmmaking out of an overly-romanticized lens into the alter-reality of its edgy, urban psyche).

Also in New York for the GL13 opening: Suman Ghosh for the North American premiere of SHYAMAL UNCLE TURNS OFF THE LIGHTS, on January 11th. This film is something to indeed be experienced with the director, as he runs his fingers through the tangled hair of Kolkata’s bureaucracy; an inspired and insightful work that carries a subtle charm, similar to another Global Lens standout.

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SEEN & HEARD: Cannes You Believe It?

GFI Founder and Board Chair Susan Weeks Coulter works the red carpet at the 65th Cannes Film Festival, rain or shine…

Q'ing up at Cannes

You had to have been there! In Cannes, I mean. The two days of torrential rain and wind plus another two days of intermittent showers (those are the ones that start again the minute you put your umbrella down) could either be described as the weather or the stuff of festival legend.

Were you actually THERE in 2012 when the red carpet was so soggy that the actresses squished their way up the red carpet?

Umbrella sales were brisk along the Croisette, and I invested in three over the course of my six days in Cannes. The first, a royal blue mini, was ripped inside out. The second, a larger, sturdier, and black model with a handsome wooden handle made it six blocks to dinner—someone in the restaurant had no shame and stole MY new umbrella, leaving in its place their own spoke-torn model. The third was a success, as I strategically selected maroon with a cream border coloration, distinctive enough so that it might deter another theft. And then, thankfully, the sun came out and everyone’s temperament improved exponentially.

The

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Fruits of Labor: Oliver Hermanus and Leila Kilani Take Center-stage @ Cannes 2011

… And GFI’s native son, Alejandro Chomski, director of ASLEEP IN THE SUN, visits San Francisco

Oliver Hermanus

Two years ago, Jeremy Nathan at Dv8 directed our attention to a new talent from South Africa: Oliver Hermanus. According to Jeremy, Oliver was a young filmmaker with an unusual lens, and his work was certainly “going to be a surprise.” Of course, in the world of cinema, hyperbole is common…

But he was right. In summer 2009, Oliver’s first film about a mixed race family in Cape Town—SHIRLEY ADAMS—so profoundly caught our attention that we acquired its North American rights and, a few months later, released it as part of Global Lens 2010 with a U.S. premiere at MoMA.

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