The Carter Center
This month, The Carter Center will be screening CAIRO 678, from Global Lens 2013, at their “Winter Weekend” in San Diego—a four-day event featuring guests such as former UN Ambassador Andrew Young, and a town hall with former U.S. President and Nobel laureate Jimmy Carter, and former First Lady Rosalynn Carter.
This is our first time working with the Center, and so we asked Ahna B. Machan, Senior Associate Director of Development, and organizer of the event, to discuss why this particular film was selected for the Winter Weekend, and how it fits with The Carter Center’s mission and vision:
Continue reading SPOTLIGHT: CAIRO 678 and The Carter Center
“Cairo 678 is an important film — one all women should watch and all men should pay attention to.” – The Huffington Post
Global Lens 2013 is full-steam ahead, wrapping up at the Santa Barbara IFF and Portland IFF, and this month we’re putting the spotlight on CAIRO 678.
Continue reading NOW PLAYING: Right on Time with CAIRO 678
SF Film Society announces its newest Artist in Residence and it happens to be one of our filmmakers. How LOVELY…
After what seems to be the longest drum-roll ever, we’re pleased to announce that Indian director (and GFI grantee) Ashim Ahluwalia will be visiting the Bay Area next month as part of the San Francisco Film Society’s Artist in Residence program, February 23rd-March 9th!
The residency will feature the Bay Area premiere of MISS LOVELY–Ashim’s second feature, post Cannes, currently in Rotterdam, big stuff—on Thursday, January 28th (co-presented by GFI–tickets here), and a post-screening discussion moderated by Ivan Jaigirdar (of 3rdi). Also included in the residency will be visits to schools and universities, and in-classroom screenings of Ashim’s first film, JOHN & JANE (students only).
Continue reading NEWS: Ashim Ahluwalia @ San Francisco Film Society, February 23rd-March 9th
Soup's on: Matt Poland, CEO (far left) and Jerome Meyers, Public Services Director (far right), of the Hartford Public Libary with Jeremy Quist, Global Lens Series Manager and Santhosh Daniel, Director of Programs
Ten years later, the the folk tale is still the best way to define our community, films and programs
Do you know the story of “Stone Soup?” It goes something like this:
Some travelers come to a village, carrying nothing more than an empty cooking pot. Suspicious, the villagers are unwilling to share any of their food with the hungry travelers. So, the travelers go to a stream and fill the pot with water, drop a large stone in it, and place it over a fire…
Eventually, one of the villagers becomes curious and asks what they are doing. The travelers declare, “We’re making stone soup!” “What does it taste like?” asks the villager. And the travelers say, “Why, it tastes wonderful—but could use something to improve the flavor.” Enchanted, the villager decides to give them a few carrots…
A few moments later, another villager walks by. And the travelers again mention their stone soup, which still needs “something” to make it just right. The villager hands them a little bit of seasoning to help them out. Eventually, more and more villagers walk by, each adding another ingredient. And finally, the entire village adds a little something, and
Continue reading TAKE INITIATIVE: The Theory (and Story) of Stone Soup
How a chance encounter turned into an uncommon opportunity to support Sierra Leone’s first-ever international film festival
We’ve always invested in Africa. Grants. Film exhibitions. Time. It’s been one of the many beating hearts, since our founding, that has kept the Global Lens film series, and the Initiative, alive.
A few months ago, outside a very crowded bar in San Francisco, Kieran Ridge, advisory board member of the Palo Alto Film Festival—one of our newest partners—had the insight to introduce us to someone with a very similar commitment to Africa: Banker White, of WeOwnTV. You may recognize the name, as a few years ago, Banker directed a documentary about a music innovation in Freetown called the Sierra Leone Refugee All Stars.
Continue reading GFI @ the Sierra Leone International Film Festival
The Brooklyn Public Library
Our public library program is in full swing this spring with the Brooklyn Public Library! San Francisco and Missoula are next, with Memphis and Park City on the horizon…
We’ve said it before and we’ll say it again: we love public libraries. From their goals of public education and engagement, to the diverse architecture of buildings large and small all across the country—they are cultural icons that hold a physical space in every community, and represent a truly free exchange of ideas that we cherish.
And so, this month, in homage to our ever-growing affinity for public libraries, our friends at the Brooklyn Public Library (BPL) will be presenting our most favorite film series, Global Lens 2012, to audiences in one of New York’s most celebrated boroughs.
Why? Because BPL is one of a handful of lucky institutions invited this year to join our Global Lens Public Library Program, which we launched last year to promote education and cultural literacy in communities all throughout the United States (some of you may remember that we partnered with the Association for Rural and Small Libraries to kick off the program).
Continue reading Global Lens Goes Public!
This year’s launch in New York set our universe in motion thanks to a host of filmmakers, friends and more than a little help from MoMA and a one-man army…
Angelica Dongallo, Acquisitions & Granting Dynamo, kicks-off Global Lens 2012 amongst the stars
What can we say–it was spectacular. And for as much as we’d really like to tell you about the launch of Global Lens 2012 in New York, pictures do the job so much better. The stars were out and in alignment, and the year began with a big bang, cosmic kismet and maybe even a few good parties–see for yourself!
Next stop: everywhere. Global Lens 2012 will be playing all across the U.S. and Canada, from Palm Springs to Boston, Latin Wave in Houston and Vue d’Afrique in Montreal–check our calendar!
A special thanks to Jytte Jensen, Curator, and Clay Farland, at the MoMA Department of Film; Consul General M. Levent Bilgen, Consul Ismet Erikan and the Turkish Consulate General of New York; Robert Avila; Gary Ponzo; Gianfranco Sorrentino and our friends at Gattopardo; Carlos Gutierrez; Tom Vick at the Smithsonian Institution; Engin “One-Man Army” Yeniduniya; and Global Lens 2012 directors Bujar Alimani, Tolga Karacelik, Carlos Osuna, Gustavo Pizzi, and Oday Rasheed–none of this would’ve been possible without you.
Continue reading Global Lens 2012 @ MoMA and Beyond!
Global Lens makes its long-awaited debut at public libraries across the U.S.
Big books, small books, magazines and catalogs. Shelves that stretch like buildings on a city block. Millions of words by thousands of people, pressed onto paper and compressed into a building…
Ever since I was a child, I’ve had an affinity for libraries. For me, they represent a space without limits or borders, a place of collected knowledge that lends itself to the imagination. In fact, I wrote my first poem in a library (after checking out a book on haiku), and spent many afternoons as a teenager cultivating my then-nascent interest in film, sitting in a corner watching the classics [on a VHS player].
Of course, libraries have evolved since my childhood, and none more profoundly than the American public library; what once began with Benjamin Franklin and a social-activity of lending books to his friends has now evolved into a community institution, media center and learning resource. And also, a crossroads of people and cultures, a place where new immigrants meet old residents, artists share space with academics and every language is within arm’s reach on a shelf.
And so, it’s only natural that we bring Global Lens to that environment.
Continue reading Global Lens Gets a Library Card!
This month marks the 3rd anniversary of our partnership with Virgin America, and in honor of that special occasion, Santhosh Daniel, our Director of Programs, and Alfy Veretto, Manager of IFE Content and Partnerships, took a few moments during the last days of summer to reflect on where it all began—and where it’s all going.
Below is an excerpt of their conversation, which as you can see, reflects the unique style that has come to typify the GFI-Virgin partnership. It’s been a good time for everyone and for those of you who haven’t yet seen what it’s all about, catch a flight and catch a Global Lens film on Virgin RED™!
Continue reading Global Lens on Virgin America has Everyone Seeing RED™