NEWS: Global Lens 2013 @ MoMA!

Global Lens 2013: Change the Way You See the World

Our tenth anniversary opens with China’s Sixth Generation, Sebastián Silva, the biggest film you’ve ever seen from Brazil (literally), and a host of Global Lens alumnus.…

It’s our tenth year and we’re kicking off Global Lens 2013, January 10th-26th, with ten films at the Museum of Modern Art! It’s going to be some celebration…

BEIJING FLICKERS will open the series on January 10th with a week-run at MoMA and director Zhang Yuan and actor Li Xinjun in attendance, to launch the festivities (a must see: Zhang is the acclaimed director of Beijing Bastards, and part of the gritty Sixth Generation ethos—who in the ‘90s, pushed Chinese filmmaking out of an overly-romanticized lens into the alter-reality of its edgy, urban psyche).

Also in New York for the GL13 opening: Suman Ghosh for the North American premiere of SHYAMAL UNCLE TURNS OFF THE LIGHTS, on January 11th. This film is something to indeed be experienced with the director, as he runs his fingers through the tangled hair of Kolkata’s bureaucracy; an inspired and insightful work that carries a subtle charm, similar to another Global Lens standout.

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SUPPORT: Our Roots Are Showing

The Inauguration: MARGARETTE'S FEAST, the first film acquired for Global Lens

After years of ‘pushing the envelope’ and ‘changing the game’ with Global Lens, we went back to the basics for our tenth year…

Global Lens 2013 is just around the corner, and if you haven’t noticed [with all the fanfare], it’s the tenth anniversary of our most beloved series. A ‘decade of film’—from silent to sign language, notes of opera and narrative “firsts.” Baghdad. Mina Gerais. The Caspian Sea…

It’s an accomplishment. Over the years, almost 100 filmmakers, from backgrounds as varied and diverse as the history of cinema, trusted us to take their vision to screen via Global Lens. That we did, with the help of just a few thousand friends. And in just a few short weeks, we’ll be heading to New York to christen this tenth year of Global Lens with our very first friend: the Museum of Modern Art.

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INDUSTRY: Trends in Global Film, by Way of GFI’s Granting Program

A quick look at the facts, figures and forward movement of our program, after ten years of international film funding…

BUFFALO BOY (Vietnam) was one of four grants we provided to filmmakers when we began our Granting Program almost ten years ago!

Every granting cycle has its own personality, and this Summer’s cycle was no exception (“bad hair,” good politicians—we had it all this round, so read the press release and our blog for the scoop!). But, unlike other cycles, this one also had a bit of “extra” personality…For you see, this year marks our tenth year of awarding grants to filmmakers from around. And oh, how the times have changed…

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SUPPORT: Living Up To Our Name

mick

The Science of Inertia: don't get him started (photo: Mick Jagger of the Rolling Stones)

Looking down the rabbit hole at the genesis of “initiative,” global film and making a difference…

Ever since I was a child, I’ve loved science. The systematic study of structure. Atoms crowding on the head of a pin. Discovery…

As an adult, I haven’t lost this love–ironically, it’s what led me to a career in the arts and The Global Film Initiative. Because I’ve always been fascinated by the [scientific] concepts of “inertia” and “potential energy” (that everything around us is simultaneously resisting change and has the potential to change), and how those concepts apply themselves in other elements of our world…

A stone rolls once pushed. Still water ripples when hit with a stone. Mick Jagger–if you start him up he’ll never stop. All that needs to occur is a decision to act. All that’s required to change a state of inertia or release potential energy is someone or something with… Initiative.

The Global Film Initiative began with this in mind, and it’s this guiding precept that has kept us inspired by what we do. The world around us evolves slowly, imperceptibly or sometimes not at all. But regardless, it is always ready for change. And once that change occurs it can repeat itself like rolling thunder…

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SUPPORT: E Pluribus Unum

Thousands of stories in the evolution of one world

Nigerian writer Chimanda Ngozi Adichie and the Danger of the Single Story

In just a few days, we’ll be announcing our Winter 2012 grantees–ten films by ten filmmakers that, coincidentally, mark our tenth year of grantmaking.

It’s a significant milestone, and an auspicious occasion. And like all granting cycles, it affords a moment to reflect on the statement we’re making. Because in awarding these grants, we are of course saying that of the hundreds of projects we reviewed, these ten are “the best”… But are they?

A few years ago, Nigerian writer Chimamanda Ngozi Adichie gave a TEDtalk about the “danger of the single story.” Her essential point was that no one story, no singular history or perspective, is the only story—and believing otherwise is what leads to the inability of many people to be sympathetic, if not empathetic, toward other cultures.

It’s a simple and true analysis, most people do tend to only hear the story that’s within earshot—whether that comes from their government, history, religion, family or community. And it’s a sentiment that often echoes in mind, especially when we award grants to filmmakers or, choose films for Global Lens: Are we telling a single story?

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SUPPORT: ‘Tis the Season of Change

Bucking convention and breaking new ground with our filmmakers…

An indelible image from AMNESTY provides the backdrop for Global Lens 2012

Years ago, one of my grade school teachers said ‘if you do nothing at all in life, at least be original.’ Of course, nowadays, that sentiment is something of a cliché. But back in the days of psychedelia and Sesame Street, it had gravitas. And, truth be told, it has guided some of my ambitions, and is what eventually drew me to the Global Film Initiative…

There are only a few days left in this year, and as we look forward to 2012 and the Initiative’s tenth anniversary, we also look back at the preceding 3500+ days and some of the more original things we’ve done. Community programs, educational initiatives, and a very unique form of business and social enterprise–to name a few. And then, Global Lens, our sterling accomplishment.

But nothing occurs in a vacuum, and we can hardly take credit for all that has happened. And thus, rather than talking about our accomplishments, in the spirit of holiday we’d instead like to thank each of our directors, and friends in the industry, for their very original gifts that comprise the soon-to-be-launched new season of Global Lens:

- To Bujar Alimani, director of AMNESTY, and M-Appeal:

A beautiful

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NOW PLAYING: Global Lens on Festival Scope

Programmers, curators and more–preview our 2012 lineup on Festival Scope!

Every January, just around the time we launch a new season of Global Lens, we get hit with multiple requests from curators and programmers for screening copies of our films. And we love it. The only problem: we can’t always keep up with the demand, especially when those films are making news (i.e. MOURNING, THE PRIZE, PEGASUS, AMNESTY…)

MOURNING (dir. Morteza Farshbaf, Iran) now available on Festival Scope

So, woe is us, such an exquisite difficulty and what’s a boutique nonprofit film organization supposed to do. Or rather, how do we keep the promise made to our filmmakers, of promoting their films to the widest and most geographically diverse audience possible? And how do you get to see Global Lens in your city, festival and theater…

Well, our longtime friend, Alessandro Raja, has an answer: Festival Scope

Festival Scope is our newest promotional partner for Global Lens. Launched in 2010 by Alessandro (formerly of Celluloid Dreams), it’s an online film viewing resource created exclusively for industry professionals who want to review films, immediately, from the wonderful world of festivals. Dubai, Busan, Torino, Toronto–name it and you’ll likely find it on Festival Scope.

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SUPPORT: You Say “Tomato” and I Say “Tomahto”

Global Lens and promoting a difference of opinion for the sake of diversity

Global Lens: grindhouse, arthouse, our house

Every year, we do our best to bring you the best in independent world cinema. And over the years, if there’s one thing we’ve learned, it’s that tastes vary from person to person and often what we see in a film isn’t always the same as what you see…

Earlier this year, we released what some audiences describe[d] as a “slasher” film–and others describe as an iconic representation of the “Indian New Wave.” For us, Sidharth Srinivasan’s SOUL OF SAND is an eccentric thriller that ‘delves into the dark interstices between Indian modernity and tradition,’ and for Memphis-based critic, John Beifuss:

“A blunt horror-art hybrid… With one foot in the arthouse and the other in the grindhouse.” [more]

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