Ten years ago today, GFI announced the recipients of the inaugural granting program, and look at us now…
On April 10, The Global Film Initiative announced it’s most recent grant recipients from the Winter 2012 granting cycle. The list of grantees features 11 works from both emerging and established filmmakers, representing 10 different countries around the world, and each project demonstrates great promise and vision. As Susan Weeks Coulter, Founder and Board Chair, said in the announcement: “We are pleased to identify and support these eleven unique and powerful narratives.”
What makes this granting cycle particularly special, however, is that it is the most recent in GFI’s now decade-old granting program. Ten years ago to the day, the very first round of grantees were announced on May 16, 2003. In celebration of this milestone, we’re taking a look back on the films GFI has funded over the years.
Again and again, our grantees represent filmmakers who are not afraid to challenge convention–to make sometimes dangerous, but always fiercely truthful statements about the society, and the world, that reflect them. These films often represent new perspectives and voices in storytelling–voices which are too often silenced or misrepresented in the mainstream–and hold promise in heralding a new generation of filmmakers.
Continue reading GRANTING: Ten Years to the Day in Global Film Funding
The forecast is sunny for BEIJING FLICKERS (China), NO AUTUMN, NO SPRING (Ecuador) and SO MUCH WATER (Uruguay) @ Miami!
Just two months into 2013 and already a number of GFI grant recipients and Global Lens films have been stirring up international hype from Berlin to Burkina Faso. Here’s the scoop:
GFI grant recipient NO AUTUMN, NO SPRING (Ecuador) screens in Cartagena and Miami International Film Festivals!
BERLIN INTERNATIONAL FILM FESTIVAL: Annemarie Jacir’s WHEN I SAW YOU (Palestine/Jordan, Summer 2011 honorable mention) took home the NETPAC award from Berlinale! The jury noted after its unanimous vote: “We were all impressed by the film’s distinctive narrative perspective: that of conveying the longing for freedom of an oppressed people in an era when idealism, solidarity and justice still had meaning…” Read on, here!
CARTAGENA INTERNATIONAL FILM FESTIVAL: SO MUCH WATER (dir. Ana Guevara and Leticia Jorge, Uruguay, Summer 2012 honorable mention), following its premiere at the Berlin International Film Festival, won the FIPRESCI Prize after receiving waves of screen time at the Cartagena International Film Festival (FICCI)! The film continues on to several other renowned festivals (see
Continue reading FESTIVALS & AWARDS: Miami IFF, FESPACO, Guadalajara IFF, Berlinale Awards and more!
Thirty-nine nations in the Winter 2013 grant-cycle comprise what could very well be our most diverse group of applicants (and undiscovered cinematic pearls), to date…
We’re at it again, folks; the Global Film Initiative is diving through our first batch of Granting Program applications for the Winter 2013 Granting Cycle for feature film productions, and what an array of projects to behold during this, our tenth year of granting…
This cycle could very well be our most diverse applicant pools, as Asia is now the leader of the pack, taking Latin America’s long-time lead. At the same time, Africa and the Middle East have increased their representation in our Granting Cycle, proving that our applicant pool is becoming more and more regionally diverse!
While we can’t share too many details until grant awards are announced in April, here are a few highlights to wet your appetite:
Continue reading GRANTING: The World is Our Oyster
Global Lens 2013: Change the Way You See the World
Our tenth anniversary opens with China’s Sixth Generation, Sebastián Silva, the biggest film you’ve ever seen from Brazil (literally), and a host of Global Lens alumnus.…
It’s our tenth year and we’re kicking off Global Lens 2013, January 10th-26th, with ten films at the Museum of Modern Art! It’s going to be some celebration…
BEIJING FLICKERS will open the series on January 10th with a week-run at MoMA and director Zhang Yuan and actor Li Xinjun in attendance, to launch the festivities (a must see: Zhang is the acclaimed director of Beijing Bastards, and part of the gritty Sixth Generation ethos—who in the ‘90s, pushed Chinese filmmaking out of an overly-romanticized lens into the alter-reality of its edgy, urban psyche).
Also in New York for the GL13 opening: Suman Ghosh for the North American premiere of SHYAMAL UNCLE TURNS OFF THE LIGHTS, on January 11th. This film is something to indeed be experienced with the director, as he runs his fingers through the tangled hair of Kolkata’s bureaucracy; an inspired and insightful work that carries a subtle charm, similar to another Global Lens standout.
Continue reading NEWS: Global Lens 2013 @ MoMA!
The Inauguration: MARGARETTE'S FEAST, the first film acquired for Global Lens
After years of ‘pushing the envelope’ and ‘changing the game’ with Global Lens, we went back to the basics for our tenth year…
Global Lens 2013 is just around the corner, and if you haven’t noticed [with all the fanfare], it’s the tenth anniversary of our most beloved series. A ‘decade of film’—from silent to sign language, notes of opera and narrative “firsts.” Baghdad. Mina Gerais. The Caspian Sea…
It’s an accomplishment. Over the years, almost 100 filmmakers, from backgrounds as varied and diverse as the history of cinema, trusted us to take their vision to screen via Global Lens. That we did, with the help of just a few thousand friends. And in just a few short weeks, we’ll be heading to New York to christen this tenth year of Global Lens with our very first friend: the Museum of Modern Art.
Continue reading SUPPORT: Our Roots Are Showing
The imprisoned director’s stunning visual journey into tradition and the struggle for individual freedom in Iran–available on DVD Janaury 8th.
The Global Film Initiative is pleased to announce the Global Lens DVD release of the award-winning critics’ pick, THE WHITE MEADOWS by Iranian director, Mohammad Rasoulof
Originally featured in Global Lens 2011, THE WHITE MEADOWS gained worldwide attention last year following the arrest and prison sentencing of Rasoulof and fellow filmmaker Jafar Panahi (editor of THE WHITE MEADOWS) for “film-related activities” against the Iranian government. In support of Rasoulof, the Initiative presented the film in over fifty U.S. cities as part of Global Lens 2011 and also in select showcase exhibitions, including a special presentation hosted by actor/director Peter Coyote at the Yerba Buena Center for the Arts, and a “protest” exhibition at the 2011 International Film Festival Rotterdam.
Continue reading NEW ON DVD: Mohammad Rasoulof’s THE WHITE MEADOWS
SOUTHWEST (coming soon via Global Lens 2013!) wins a critics award in Montreal, WHEN I SAW YOU wins Best Arab Film in Abu Dhabi and MISS LOVELY takes the festival circuit by storm!
It’s a new month and that means more festival appearances and awards for our Global Lens and GFI-funded films! See below for the latest updates:
GFI grant recipient WILDLIFE (Philippines) won the NETPAC Award for Best Asian Film at the Warsaw Film Festival! (Photo: Busan IFF)
Continue reading FESTIVALS & AWARDS: Festival du Nouveau Cinema, Abu Dhabi FF, Mumbai FF and more!
A quick look at the facts, figures and forward movement of our program, after ten years of international film funding…
BUFFALO BOY (Vietnam) was one of four grants we provided to filmmakers when we began our Granting Program almost ten years ago!
Every granting cycle has its own personality, and this Summer’s cycle was no exception (“bad hair,” good politicians—we had it all this round, so read the press release and our blog for the scoop!). But, unlike other cycles, this one also had a bit of “extra” personality…For you see, this year marks our tenth year of awarding grants to filmmakers from around. And oh, how the times have changed…
Continue reading INDUSTRY: Trends in Global Film, by Way of GFI’s Granting Program
GFI’s newest grant recipients include four projects directed by women, and GFI’s first grants to the Dominican Republic, Guinea-Bissau and Serbia!
(Watch the video to view some production footage of new GFI grant recipient COLORED LIKE THE NIGHT (Dominican Republic)!)
Hear ye, hear ye: Today GFI announced the ten feature length narrative film projects selected to receive production funding in its Granting Program‘s Summer 2012 granting cycle (read the official press release here)!
Continue reading GRANTING: GFI Announces Summer 2012 Grant Recipients!
Rob Avila talks with Tolga Karaçelik about capturing the right chemical reaction on the set and on the screen in TOLL BOOTH…
Tolga Karçelik on the set of the Global Lens 2012 film Toll Booth
TOLL BOOTH, the first Turkish film to receive a weeklong premiere at the New York Museum of Modern Art, is the debut feature of 31-year-old Istanbul native Tolga Karaçelik. It concerns the life and progressive collapse of a tollbooth attendant and bachelor named Kenan (played by the marvelous Serkan Ercan). A poet by longstanding practice and inclination, with a quick mind and generous spirit, Karaçelik studied law before coming to New York City to study filmmaking. It was back in New York, at the MoMA in January, that he sat down to talk about the genesis of his award-winning Toll Booth, the opening night film of the Global Film Initiative’s 2012 Global Lens series.
Continue reading INTERVIEW: Tolga Karaçelik on A Sincere Work