Ten years ago today, GFI announced the recipients of the inaugural granting program, and look at us now…
On April 10, The Global Film Initiative announced it’s most recent grant recipients from the Winter 2012 granting cycle. The list of grantees features 11 works from both emerging and established filmmakers, representing 10 different countries around the world, and each project demonstrates great promise and vision. As Susan Weeks Coulter, Founder and Board Chair, said in the announcement: “We are pleased to identify and support these eleven unique and powerful narratives.”
What makes this granting cycle particularly special, however, is that it is the most recent in GFI’s now decade-old granting program. Ten years ago to the day, the very first round of grantees were announced on May 16, 2003. In celebration of this milestone, we’re taking a look back on the films GFI has funded over the years.
Again and again, our grantees represent filmmakers who are not afraid to challenge convention–to make sometimes dangerous, but always fiercely truthful statements about the society, and the world, that reflect them. These films often represent new perspectives and voices in storytelling–voices which are too often silenced or misrepresented in the mainstream–and hold promise in heralding a new generation of filmmakers.
Continue reading GRANTING: Ten Years to the Day in Global Film Funding
Global Lens 2013: Change the Way You See the World
Our tenth anniversary opens with China’s Sixth Generation, Sebastián Silva, the biggest film you’ve ever seen from Brazil (literally), and a host of Global Lens alumnus.…
It’s our tenth year and we’re kicking off Global Lens 2013, January 10th-26th, with ten films at the Museum of Modern Art! It’s going to be some celebration…
BEIJING FLICKERS will open the series on January 10th with a week-run at MoMA and director Zhang Yuan and actor Li Xinjun in attendance, to launch the festivities (a must see: Zhang is the acclaimed director of Beijing Bastards, and part of the gritty Sixth Generation ethos—who in the ‘90s, pushed Chinese filmmaking out of an overly-romanticized lens into the alter-reality of its edgy, urban psyche).
Also in New York for the GL13 opening: Suman Ghosh for the North American premiere of SHYAMAL UNCLE TURNS OFF THE LIGHTS, on January 11th. This film is something to indeed be experienced with the director, as he runs his fingers through the tangled hair of Kolkata’s bureaucracy; an inspired and insightful work that carries a subtle charm, similar to another Global Lens standout.
Continue reading NEWS: Global Lens 2013 @ MoMA!
SOUTHWEST (coming soon via Global Lens 2013!) wins a critics award in Montreal, WHEN I SAW YOU wins Best Arab Film in Abu Dhabi and MISS LOVELY takes the festival circuit by storm!
It’s a new month and that means more festival appearances and awards for our Global Lens and GFI-funded films! See below for the latest updates:
GFI grant recipient WILDLIFE (Philippines) won the NETPAC Award for Best Asian Film at the Warsaw Film Festival! (Photo: Busan IFF)
Continue reading FESTIVALS & AWARDS: Festival du Nouveau Cinema, Abu Dhabi FF, Mumbai FF and more!
GFI’s newest grant recipients include four projects directed by women, and GFI’s first grants to the Dominican Republic, Guinea-Bissau and Serbia!
(Watch the video to view some production footage of new GFI grant recipient COLORED LIKE THE NIGHT (Dominican Republic)!)
Hear ye, hear ye: Today GFI announced the ten feature length narrative film projects selected to receive production funding in its Granting Program‘s Summer 2012 granting cycle (read the official press release here)!
Continue reading GRANTING: GFI Announces Summer 2012 Grant Recipients!
A Serious Slice of Life: SOUL OF SAND (Global Lens Collection)
Interpreting an education via the sights, sound and sensibilities of daily life
“Summertime and the livin’ is easy”–isn’t that what Ella said? Days become longer, lazier. Clothes are looser. Planets hang low on the horizon, just above sunset…
I think it’s safe to say most people enjoy summer. And I’m no exception. For me, the ‘easy livin’ represents a better classroom, a time to take the world in, without rush; certainly that’s what happens at the Global Film Initiative, when we spend countless twilights, reviewing hundreds of films and scripts, to determine our next season of Global Lens and grant-recipients.
But work aside, summer does really seem to represent a time to pause. Schools are out, and most governments are not in session. And if I think back to childhood–and my annual, transcontinental summer experiment of living in India and Malaysia, courtesy of my parents–I certainly learned just as much from that season as I did in school…
Continue reading SUPPORT: Live and Learn
Newest grant recipients include five narrative feature film debuts from Albania, Georgia, Rwanda, Venezuela and Turkey!
View the trailer of GFI 2012 grant recipient, THE PARDON!
The decisions are in.
We are very pleased to announce that after much deliberation, ten new films have been chosen to receive production funding of up to $10,000 each during the Winter 2012 granting cycle! The grant recipients hail from diverse nations and regions—from Peru’s mountainous countryside to the Philippines’ sandy shores—and include GFI’s first grantees from Croatia, Rwanda and Venezuela! Read the official press release here.
Continue reading GRANTING: GFI’s Winter 2012 Grantees Announced!
Thousands of stories in the evolution of one world
Nigerian writer Chimanda Ngozi Adichie and the Danger of the Single Story
In just a few days, we’ll be announcing our Winter 2012 grantees–ten films by ten filmmakers that, coincidentally, mark our tenth year of grantmaking.
It’s a significant milestone, and an auspicious occasion. And like all granting cycles, it affords a moment to reflect on the statement we’re making. Because in awarding these grants, we are of course saying that of the hundreds of projects we reviewed, these ten are “the best”… But are they?
A few years ago, Nigerian writer Chimamanda Ngozi Adichie gave a TEDtalk about the “danger of the single story.” Her essential point was that no one story, no singular history or perspective, is the only story—and believing otherwise is what leads to the inability of many people to be sympathetic, if not empathetic, toward other cultures.
It’s a simple and true analysis, most people do tend to only hear the story that’s within earshot—whether that comes from their government, history, religion, family or community. And it’s a sentiment that often echoes in mind, especially when we award grants to filmmakers or, choose films for Global Lens: Are we telling a single story?
Continue reading SUPPORT: E Pluribus Unum
Programmers, curators and more–preview our 2012 lineup on Festival Scope!
Every January, just around the time we launch a new season of Global Lens, we get hit with multiple requests from curators and programmers for screening copies of our films. And we love it. The only problem: we can’t always keep up with the demand, especially when those films are making news (i.e. MOURNING, THE PRIZE, PEGASUS, AMNESTY…)
MOURNING (dir. Morteza Farshbaf, Iran) now available on Festival Scope
So, woe is us, such an exquisite difficulty and what’s a boutique nonprofit film organization supposed to do. Or rather, how do we keep the promise made to our filmmakers, of promoting their films to the widest and most geographically diverse audience possible? And how do you get to see Global Lens in your city, festival and theater…
Well, our longtime friend, Alessandro Raja, has an answer: Festival Scope
Festival Scope is our newest promotional partner for Global Lens. Launched in 2010 by Alessandro (formerly of Celluloid Dreams), it’s an online film viewing resource created exclusively for industry professionals who want to review films, immediately, from the wonderful world of festivals. Dubai, Busan, Torino, Toronto–name it and you’ll likely find it on Festival Scope.
Continue reading NOW PLAYING: Global Lens on Festival Scope
We’re extremely proud of our Global Lens films and GFI grant recipients—read on for the latest good news!
The following films were selected as Foreign Language submissions to the 84th Academy Awards:
BELVEDERE (dir. Ahmed Imamović, Bosnia & Herzegovina), included in the Global Lens 2011 film series OCTOBER (dir. Daniel Vega Vidal and Diego Vega Vidal, Peru), awarded a GFI grant in 2008 SKOONHEID (dir. Oliver Hermanus, South Africa), awarded a GFI grant in 2010
In other GFI grant recipient news…
THE MIRROR NEVER LIES (dir. Kamila Andini, Indonesia), was selected for the New Currents section of the Pusan International Film Festival! Watch the film’s trailer here.
THE DEAD SEA (dir. Leena Manimekalai, India) is the only Indian film chosen for the International First Films Competition at the Mumbai Film Festival (October 13-20).
Global Lens and promoting a difference of opinion for the sake of diversity
Global Lens: grindhouse, arthouse, our house
Every year, we do our best to bring you the best in independent world cinema. And over the years, if there’s one thing we’ve learned, it’s that tastes vary from person to person and often what we see in a film isn’t always the same as what you see…
Earlier this year, we released what some audiences describe[d] as a “slasher” film–and others describe as an iconic representation of the “Indian New Wave.” For us, Sidharth Srinivasan’s SOUL OF SAND is an eccentric thriller that ‘delves into the dark interstices between Indian modernity and tradition,’ and for Memphis-based critic, John Beifuss:
“A blunt horror-art hybrid… With one foot in the arthouse and the other in the grindhouse.” [more]
Continue reading SUPPORT: You Say “Tomato” and I Say “Tomahto”