Ten years ago today, GFI announced the recipients of the inaugural granting program, and look at us now…
On April 10, The Global Film Initiative announced it’s most recent grant recipients from the Winter 2012 granting cycle. The list of grantees features 11 works from both emerging and established filmmakers, representing 10 different countries around the world, and each project demonstrates great promise and vision. As Susan Weeks Coulter, Founder and Board Chair, said in the announcement: “We are pleased to identify and support these eleven unique and powerful narratives.”
What makes this granting cycle particularly special, however, is that it is the most recent in GFI’s now decade-old granting program. Ten years ago to the day, the very first round of grantees were announced on May 16, 2003. In celebration of this milestone, we’re taking a look back on the films GFI has funded over the years.
Again and again, our grantees represent filmmakers who are not afraid to challenge convention–to make sometimes dangerous, but always fiercely truthful statements about the society, and the world, that reflect them. These films often represent new perspectives and voices in storytelling–voices which are too often silenced or misrepresented in the mainstream–and hold promise in heralding a new generation of filmmakers.
Continue reading GRANTING: Ten Years to the Day in Global Film Funding
The forecast is sunny for BEIJING FLICKERS (China), NO AUTUMN, NO SPRING (Ecuador) and SO MUCH WATER (Uruguay) @ Miami!
Just two months into 2013 and already a number of GFI grant recipients and Global Lens films have been stirring up international hype from Berlin to Burkina Faso. Here’s the scoop:
GFI grant recipient NO AUTUMN, NO SPRING (Ecuador) screens in Cartagena and Miami International Film Festivals!
BERLIN INTERNATIONAL FILM FESTIVAL: Annemarie Jacir’s WHEN I SAW YOU (Palestine/Jordan, Summer 2011 honorable mention) took home the NETPAC award from Berlinale! The jury noted after its unanimous vote: “We were all impressed by the film’s distinctive narrative perspective: that of conveying the longing for freedom of an oppressed people in an era when idealism, solidarity and justice still had meaning…” Read on, here!
CARTAGENA INTERNATIONAL FILM FESTIVAL: SO MUCH WATER (dir. Ana Guevara and Leticia Jorge, Uruguay, Summer 2012 honorable mention), following its premiere at the Berlin International Film Festival, won the FIPRESCI Prize after receiving waves of screen time at the Cartagena International Film Festival (FICCI)! The film continues on to several other renowned festivals (see
Continue reading FESTIVALS & AWARDS: Miami IFF, FESPACO, Guadalajara IFF, Berlinale Awards and more!
The imprisoned director’s stunning visual journey into tradition and the struggle for individual freedom in Iran–available on DVD Janaury 8th.
The Global Film Initiative is pleased to announce the Global Lens DVD release of the award-winning critics’ pick, THE WHITE MEADOWS by Iranian director, Mohammad Rasoulof
Originally featured in Global Lens 2011, THE WHITE MEADOWS gained worldwide attention last year following the arrest and prison sentencing of Rasoulof and fellow filmmaker Jafar Panahi (editor of THE WHITE MEADOWS) for “film-related activities” against the Iranian government. In support of Rasoulof, the Initiative presented the film in over fifty U.S. cities as part of Global Lens 2011 and also in select showcase exhibitions, including a special presentation hosted by actor/director Peter Coyote at the Yerba Buena Center for the Arts, and a “protest” exhibition at the 2011 International Film Festival Rotterdam.
Continue reading NEW ON DVD: Mohammad Rasoulof’s THE WHITE MEADOWS
GFI's Jeremy Quist and Evan Knopf ready for happy hour!
In early November, GFI got together with Bay Area-based friends to raise a toast to the important things in life…
With so much to talk about in the wake of the SF Giants’ World Series triumph and the recent U.S. elections, The Global Film Initiative and the San Francisco Film Society hosted a gathering at Churchill Bar for happy hour festivities.
Continue reading INDUSTRY: GFI + the San Francisco Film Society Put On The Happiest of Hours
Global Lens is soon to screen at the Scottsdale International Film Festival for the second time, and Jeremy Quist adds yet another place to his ever-growing list of U.S. cities he’d like to visit…
Back in the mid ‘00s (remember those?) my sister spent two years at the University of Arizona in Tucson, and I never got the chance to visit her there. I always thought it would be fun to meet up with her and then drive together through the Arizona cities listed in the song Route 66―Flagstaff, Kingman, and (don’t forget!) Winona―which obviously was before I learned that Tucson is nowhere near the highway in question. You should know two things about me by now, from my ramblings in this monthly Spotlight column:
1) My geography, not so good. 2) There are a lot of cities that I’d really like to go to.
In regard to item #2, I have a list (a physical, written list!) of cities I’d like to visit. And this month, I add to that list yet another city in Arizona―Scottsdale! You may ask, “Why, Scottsdale, Jeremy?” to which I would answer, “Well, for starters, it has a bustling late-night downtown scene, it’s the spring training home of the San Francisco Giants, and it’s also been consistently included in the ‘100 Best Communities for Young People.’” You might then retort,
Continue reading SPOTLIGHT: It’s Hip, It’s Happening, It’s Scottsdale!
The winds of change blow through both SOUL OF SAND (India) and THE LIGHT THIEF (Kyrgyzstan)–releasing on DVD September 25.
New award-winning films from Aktan Arym Kubat and Sidharth Srinivasan present a powerful look into the politics of class, caste, capitalism and environmentalism in a rapidly modernizing world.
THE LIGHT THIEF (SVET-AKE), dir. Aktan Arym Kubat, Kyrgyzstan, 2010, 80 minutes, Kyrgyz, with subtitles in English
A humble electrician intent on enlivening his rural valley with electricity unwittingly strikes a deal with a rich politician whose corrupt ambitions threaten to upend the electrician’s dream to build windmills in his village. FIPRESCI Prize, Eurasia International Film Festival; Official Kyrgyzstan Submission, Best Foreign Language Film category of the 83rd Academy Awards; Official Selection, Directors’ Fortnight, Cannes Film Festival.
Continue reading NEW ON DVD: The Light Thief and Soul of Sand
Animation from the short film "Welcome to the Anthropocene," showing trade routes around the world. (Image courtesy of Globaia, Planet Under Pressure, SEI, SRC, CSIRO)
An inside look at how GFI pays it forward…
With our offices located in the heart of San Francisco, three of us at GFI commute into the city from the East Bay via BART train. Right before our trains plunge down into the Bay tunnel, we pass through the Port of Oakland—the fifth busiest port in the United States. In the early morning light the cranes, long-haul semi-trucks, and 1st shifters dutifully continue the pace of a humming port that never sleeps.
The trade lines of global commerce blanket our world (as this short film beautifully depicts), and while globalization is a peculiar force—advantageous for some, exploitative of others, with many a PhD dissertation tracking its effects and the arguments for and against it—Oakland’s port provides a context in which to understand this massive international integration.
Continue reading INDUSTRY: Royalties, a Cycle of Exchange
After an eventful April, GFI knows what it wants, needs and can’t live without…
For a nonprofit international arts organization with a full-time staff of only five, we are used to being frugal, lean and mean fighting machines. The eventful month of April gave us a chance to take a good hard look into our wants and needs: What is necessary in running GFI, and what is just really, really nice to have. Turns out, GFI is lucky enough to often be blessed with both.
Let’s start with the wants:
Oday Rasheed speaks with a student at the Berkeley High School screening of QARANTINA
GUESTS OF HONOR: We love when friends stop by for long visits, as director Oday Rasheed (QARANTINA, Global Lens 2012) did at the beginning of the month, gracing the Bay with his cool charm for a full two weeks while he participated in the San Francisco Film Society’s Artist in Residence program. While in San Francisco, GFI co-presented a screening of his film Qarantina with the SF Film Society, bringing in the imbedded journalist-extraordinaire Terry McCarthy, who spent several tours in Iraq as a U.S. news correspondent, to lead the Q&A afterward.
A CANNES-DO ATTITUDE: There’s only so much that can be done from our office—sometimes we have to take to the road. In a few weeks, GFI
Continue reading MONTH IN REVIEW: Food, Friends & Getting Stranded in Cyberspace
Bad boys and bad medicine: Urban thriller THE TENANTS and junkie chronicle STREET DAYS to release on DVD May 15th
The DVD release of new films from playwright-cum-filmmaker Sérgio Bianchi and Georgian auteur Levan Koguashvili take audiences from the neo-noir nights of São Paulo to the mean streets of Tbilisi:
THE TENANTS (OS INQUILINOS), dir. Sérgio Bianchi, Brazil, 2009, 103 minutes, Portuguese, with subtitles in English
After three mysterious men move into a smoky São Paulo suburb, a neighboring couple becomes obsessed with the men’s clandestine activities and the ozone of violence that descends upon their once-tranquil neighborhood. Best Screenplay, Rio de Janeiro International Film Festival; Official Selection, Vancouver International Film Festival.
“Bianchi’s richly detailed film excavates society’s fear of and fascination with violence—from television’s constant stream of near-pornographic mayhem to venomous suspicion between neighbors, petty feuds within married couples, and quarreling among children—in an indictment of the lowest human impulses.” –Museum of Modern Art
“Stunning performances….A tour-de-force of cinematic tension.” –The Santa Barbara Independent
STREET DAYS (QUCHIS DGEEBI), dir. Levan Koguashvili, Georgia, 2010, 86 minutes, Georgian, with subtitles in English
A well-meaning heroin addict whose life and status seem to worsen by the day, finds himself caught between serving a prison sentence and selling out
Continue reading NEW ON DVD: The Tenants and Street Days!
New appointments add depth in international relations, fundraising and business development as Initiative enters tenth year
San Francisco, CA – February 16, 2012 - The Global Film Initiative announced today the appointment of Michelle van Gilder, Theda Jackson-Mau and Matthew Tollin to its Board of Directors.
The new appointees join the current ten-member Board in advising the Initiative on ongoing programs and strategic initiatives, including a dynamic multi-channel expansion of the Global Lens distribution platform, and domestic and international exhibition partnerships that promote the Initiative’s global philanthropic mission.
New appointments to the Global Film Initiative Board of Directors:
Continue reading NEWS: The Global Film Initiative Appoints Three New Members to Board of Directors