The Carter Center
This month, The Carter Center will be screening CAIRO 678, from Global Lens 2013, at their “Winter Weekend” in San Diego—a four-day event featuring guests such as former UN Ambassador Andrew Young, and a town hall with former U.S. President and Nobel laureate Jimmy Carter, and former First Lady Rosalynn Carter.
This is our first time working with the Center, and so we asked Ahna B. Machan, Senior Associate Director of Development, and organizer of the event, to discuss why this particular film was selected for the Winter Weekend, and how it fits with The Carter Center’s mission and vision:
Continue reading SPOTLIGHT: CAIRO 678 and The Carter Center
“Cairo 678 is an important film — one all women should watch and all men should pay attention to.” – The Huffington Post
Global Lens 2013 is full-steam ahead, wrapping up at the Santa Barbara IFF and Portland IFF, and this month we’re putting the spotlight on CAIRO 678.
Continue reading NOW PLAYING: Right on Time with CAIRO 678
SF Film Society announces its newest Artist in Residence and it happens to be one of our filmmakers. How LOVELY…
After what seems to be the longest drum-roll ever, we’re pleased to announce that Indian director (and GFI grantee) Ashim Ahluwalia will be visiting the Bay Area next month as part of the San Francisco Film Society’s Artist in Residence program, February 23rd-March 9th!
The residency will feature the Bay Area premiere of MISS LOVELY–Ashim’s second feature, post Cannes, currently in Rotterdam, big stuff—on Thursday, January 28th (co-presented by GFI–tickets here), and a post-screening discussion moderated by Ivan Jaigirdar (of 3rdi). Also included in the residency will be visits to schools and universities, and in-classroom screenings of Ashim’s first film, JOHN & JANE (students only).
Continue reading NEWS: Ashim Ahluwalia @ San Francisco Film Society, February 23rd-March 9th
After a year of hunkering down and “getting it done,” GFI films make a spectacular splash at Rotterdam…
We’ve received golden advice from Simon Field on our Granting Program, and Sandra den Hamer sits on our Film Board. And, of course, as our filmmakers know, we’ve run around the world, from Busan to Valdivia, with our friends from Cinemart and Hubert Bals.
In other words, we love IFFR. Not just de Doelen, frites and films. Or the characteristic chill and rooftop cocktails. We love all those things, yes. But ultimately, what we cherish is the inspired purpose of the festival, and how it has launched (and loved), so many of the filmmakers we also support.
So, it’s with a great pride and pleasure that we note this year’s festival, IFFR 2013, is presenting more than just a few of our filmmakers. In Bright Future. Spectrum. And more:
Continue reading NEWS: Eye of the Tiger
Global Lens 2013: Change the Way You See the World
Our tenth anniversary opens with China’s Sixth Generation, Sebastián Silva, the biggest film you’ve ever seen from Brazil (literally), and a host of Global Lens alumnus.…
It’s our tenth year and we’re kicking off Global Lens 2013, January 10th-26th, with ten films at the Museum of Modern Art! It’s going to be some celebration…
BEIJING FLICKERS will open the series on January 10th with a week-run at MoMA and director Zhang Yuan and actor Li Xinjun in attendance, to launch the festivities (a must see: Zhang is the acclaimed director of Beijing Bastards, and part of the gritty Sixth Generation ethos—who in the ‘90s, pushed Chinese filmmaking out of an overly-romanticized lens into the alter-reality of its edgy, urban psyche).
Also in New York for the GL13 opening: Suman Ghosh for the North American premiere of SHYAMAL UNCLE TURNS OFF THE LIGHTS, on January 11th. This film is something to indeed be experienced with the director, as he runs his fingers through the tangled hair of Kolkata’s bureaucracy; an inspired and insightful work that carries a subtle charm, similar to another Global Lens standout.
Continue reading NEWS: Global Lens 2013 @ MoMA!
The Inauguration: MARGARETTE'S FEAST, the first film acquired for Global Lens
After years of ‘pushing the envelope’ and ‘changing the game’ with Global Lens, we went back to the basics for our tenth year…
Global Lens 2013 is just around the corner, and if you haven’t noticed [with all the fanfare], it’s the tenth anniversary of our most beloved series. A ‘decade of film’—from silent to sign language, notes of opera and narrative “firsts.” Baghdad. Mina Gerais. The Caspian Sea…
It’s an accomplishment. Over the years, almost 100 filmmakers, from backgrounds as varied and diverse as the history of cinema, trusted us to take their vision to screen via Global Lens. That we did, with the help of just a few thousand friends. And in just a few short weeks, we’ll be heading to New York to christen this tenth year of Global Lens with our very first friend: the Museum of Modern Art.
Continue reading SUPPORT: Our Roots Are Showing