Santhosh Daniel, GFI Director of Programs, on the business of doing “good business”

A scene from MOURNING, by Iranian director Morteza Farshbaf (Global Lens 2012)
A few days ago, at the blink of midnight, we closed a distribution deal for the Iranian film MOURNING, by Morteza Farshbaf. And, like all late-night business, it was a harried affair, replete with heavy texting and the adrenalin rush of knowing we had acquired a film that, only a few hours earlier, took top awards at the 2011 Busan International Film Festival—Asia’s largest festival and film market.
For us, it was the culmination of a long four days in Busan and also, a modest pinnacle of achievement. Normally, we don’t make a play for films that are fresh out of a festival, covered in the glitter of awards—not because we don’t see the value of the work, but simply because the strength of our endeavor has never been about being the proverbial “player,” making a deal and beating our competitors for the “hot” film on the market.
But this film struck a very different and distinct chord, and so we decided to make an offer. And in the afterglow of signing it for our 2012 lineup (Global Lens 2012), it afforded us the opportunity to consider how such a deal, for such a film, was possible…
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