NOW PLAYING: Right on Time with CAIRO 678

Cairo678banner“Cairo 678 is an important film — one all women should watch and all men should pay attention to.” – The Huffington Post

Global Lens 2013 is full-steam ahead, wrapping up at the Santa Barbara IFF and Portland IFF, and this month we’re putting the spotlight on CAIRO 678.

 

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INTERVIEW: Real Lives Beneath a Shifting Surface–Director Zhang Yuan on BEIJING FLICKERS

BEIJING FLICKERS director Zhang Yuan explores through film the effect of China’s cultural movement on the subsequent generations.

Rob Avila talks with the legendary director about more than two decades of filmmaking in China, and Zhang’s outsider generation…

A singular pioneer of China’s Sixth Generation of filmmakers, Zhang Yuan graduated from the Beijing Film Academy in 1989. It was the year of Tiananmen Square and the June 4 crackdown, when China’s budding democracy movement—encouraged by reforms set in motion by Deng Xiaoping—met the tanks and guns of Deng’s resolutely authoritarian regime. Zhang’s first film, made at this time, was an auspicious sign of the life that would continue to find avenues of expression beneath the surfaces of an old order and the roiling changes encouraged by its new economic policies.

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INDUSTRY: Behind the Scenes at the Global Lens 2013 MoMA Premiere

(L-R) Eric Schnedecker (Head of Sales-Acquisitions, Urban Distribution International), Rebeca Conget (Vice President Acquisitions and Distribution, Film Movement), Global Lens 2013 director Sebastián Silva, filmmaker Julia Solomonoff and Santhosh Daniel (Director of Programs) enjoy the party.

And this year was especially epic: A celebration of ten years of Global Lens films and the amazing partnerships we’ve formed over the years.

Jytte Jensen and MoMA, our founding partners, were the most gracious hosts ever.

The China Institute threw a wonderful reception to honor Zhang Yuan and our opening film BEIJING FLICKERS (and Zhang Yuan and Li Xinyun stole the show with their presence).

We couldn’t have asked Suman Ghosh and Sebastian Silva for better introductions to their films.

Rob Avila came through in wonderful fashion with director interviews (read our latest with Zhang Yuan here), and a whole host of friends, filmmakers, and film lovers came out to join in all the fun!

As February rolls around, we’re already full-speed ahead into our North American tour: from the Santa Barbara International Film Festival to a local theater in Juneau, Alaska. (Check out our calendar for more info!) Craving more instant updates? Head over to our Facebook page and follow us on Twitter!

And now, the round-up of snapshots from the milestone event!

Continue reading INDUSTRY: Behind the Scenes at the Global Lens 2013 MoMA Premiere

NEWS: Ashim Ahluwalia @ San Francisco Film Society, February 23rd-March 9th

Ashim Ahluwalia

Ashim Ahluwalia

SF Film Society announces its newest Artist in Residence and it happens to be one of our filmmakers. How LOVELY…

After what seems to be the longest drum-roll ever, we’re pleased to announce that Indian director (and GFI grantee) Ashim Ahluwalia will be visiting the Bay Area next month as part of the San Francisco Film Society’s Artist in Residence program, February 23rd-March 9th!

The residency will feature the Bay Area premiere of MISS LOVELY–Ashim’s second feature, post Cannes, currently in Rotterdam, big stuff—on Thursday, January 28th (co-presented by GFI–tickets here), and a post-screening discussion moderated by Ivan Jaigirdar (of 3rdi). Also included in the residency will be visits to schools and universities, and in-classroom screenings of Ashim’s first film, JOHN & JANE (students only).

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GRANTING: The World is Our Oyster

Thirty-nine nations in the Winter 2013 grant-cycle comprise what could very well be our most diverse group of applicants (and undiscovered cinematic pearls), to date…

We’re at it again, folks; the Global Film Initiative is diving through our first batch of Granting Program applications for the Winter 2013 Granting Cycle for feature film productions, and what an array of projects to behold during this, our tenth year of granting…

This cycle could very well be our most diverse applicant pools, as Asia is now the leader of the pack, taking Latin America’s long-time lead. At the same time, Africa and the Middle East have increased their representation in our Granting Cycle, proving that our applicant pool is becoming more and more regionally diverse!

While we can’t share too many details until grant awards are announced in April, here are a few highlights to wet your appetite:

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FESTIVALS & AWARDS: Berlinale, Rotterdam and Beyond

SO MUCH WATER (Uruguay) and A FOLD IN MY BLANKET (Georgia) @ Berlinale Panorama are just two jewels in a mother lode of GFI films, fests and awards this month….

SO MUCH WATER (Uruguay), GFI grant recipient, premieres at Berlinale!

 

It’s a new year and our Global Lens films and GFI grant recipients are back in a big way, with screenings all over Europe this month for some of the biggest conferences of world cinema on the globe, at Berlin, Rotterdam and beyond. Without further adieu, here are this month’s headlines:

BERLIN INTERNATIONAL FILM FESTIVAL: The Berlin International Film Festival is always host of a wide array of world and European premieres, and this year these premieres include those of six GFI grant recipients—likely our greatest showing at Berlinale to-date!

For those of you attending Berlinale, be sure to catch our grant recipients—from Costa Rica to China—premiering and screening at this year’s festival:

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NEWS: Eye of the Tiger

After a year of hunkering down and “getting it done,” GFI films make a spectacular splash at Rotterdam…

De Doelen @ IFFR

It’s no secret that since the dawn of our existence, the International Film Festival of Rotterdam (IFFR) has been one of our closest “professional” friends…

We’ve received golden advice from Simon Field on our Granting Program, and Sandra den Hamer sits on our Film Board. And, of course, as our filmmakers know, we’ve run around the world, from Busan to Valdivia, with our friends from Cinemart and Hubert Bals.

In other words, we love IFFR. Not just de Doelen, frites and films. Or the characteristic chill and rooftop cocktails. We love all those things, yes. But ultimately, what we cherish is the inspired purpose of the festival, and how it has launched (and loved), so many of the filmmakers we also support.

So, it’s with a great pride and pleasure that we note this year’s festival, IFFR 2013, is presenting more than just a few of our filmmakers. In Bright Future. Spectrum. And more:

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SPOTLIGHT: A Taste of Gasparilla

Following its January premiere at MoMA, Global Lens 2013 heads to Tampa and marks GFI’s sixth year working with Gasparilla…

Every January, without fail, we premiere a brand new Global Lens film series at the Museum of Modern Art in New York City, before it begins its yearlong tour of the country the following month. And this February, the fine folks at the Gasparilla International Film Festival (GIFF) will bring Global Lens to Tampa, FL, for its sixth consecutive year! Starting with Zhang Yuan’s wonderful BEIJING FLICKERS (the opening-night film at the MoMA premiere), GIFF will present two screenings each of all ten films at the Tampa Museum of Art throughout 2013, and most of the series will also be included in the festival proper, which runs from March 19th to the 24th.

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TAKE INITIATIVE: The Theory (and Story) of Stone Soup

Soup's on: Matt Poland, CEO (far left) and Jerome Meyers, Public Services Director (far right), of the Hartford Public Libary with Jeremy Quist, Global Lens Series Manager and Santhosh Daniel, Director of Programs

Ten years later, the the folk tale is still the best way to define our community, films and programs

Do you know the story of “Stone Soup?” It goes something like this:

Some travelers come to a village, carrying nothing more than an empty cooking pot. Suspicious, the villagers are unwilling to share any of their food with the hungry travelers. So, the travelers go to a stream and fill the pot with water, drop a large stone in it, and place it over a fire…

Eventually, one of the villagers becomes curious and asks what they are doing. The travelers declare, “We’re making stone soup!” “What does it taste like?” asks the villager. And the travelers say, “Why, it tastes wonderful—but could use something to improve the flavor.” Enchanted, the villager decides to give them a few carrots…

A few moments later, another villager walks by. And the travelers again mention their stone soup, which still needs “something” to make it just right. The villager hands them a little bit of seasoning to help them out. Eventually, more and more villagers walk by, each adding another ingredient. And finally, the entire village adds a little something, and

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NEWS: Global Lens 2013 @ MoMA!

Global Lens 2013: Change the Way You See the World

Our tenth anniversary opens with China’s Sixth Generation, Sebastián Silva, the biggest film you’ve ever seen from Brazil (literally), and a host of Global Lens alumnus.…

It’s our tenth year and we’re kicking off Global Lens 2013, January 10th-26th, with ten films at the Museum of Modern Art! It’s going to be some celebration…

BEIJING FLICKERS will open the series on January 10th with a week-run at MoMA and director Zhang Yuan and actor Li Xinjun in attendance, to launch the festivities (a must see: Zhang is the acclaimed director of Beijing Bastards, and part of the gritty Sixth Generation ethos—who in the ‘90s, pushed Chinese filmmaking out of an overly-romanticized lens into the alter-reality of its edgy, urban psyche).

Also in New York for the GL13 opening: Suman Ghosh for the North American premiere of SHYAMAL UNCLE TURNS OFF THE LIGHTS, on January 11th. This film is something to indeed be experienced with the director, as he runs his fingers through the tangled hair of Kolkata’s bureaucracy; an inspired and insightful work that carries a subtle charm, similar to another Global Lens standout.

Continue reading NEWS: Global Lens 2013 @ MoMA!