NOW PLAYING: Morteza Farshbaf’s MOURNING and Nine Other Films to Watch–Everywhere!

Farshbaf fashions a consistently surprising and blackly comic road trip that may herald the arrival of a major new Iranian talent.“ -Institute of Contemporary Arts

The story: In the wake of his parents’ disappearance, a young boy is placed in the care of his deaf aunt and uncle who, during a road trip to Tehran, engage in a silent but apparently not-so-secret debate about the child’s future.

Iranian filmmaker Morteza Farshbaf’s master class on subtlety and sign language is now available for booking in your festival or theater, along with nine other award-winning and critically acclaimed films from the new Global Lens 2012 series.

Programmers and curators: View the 2012 lineup now on Festival Scope and email us at bookings@globalfilm.org to schedule the films today!

Film fans and enthusiasts: Read the list below and click on the map to find out where you can catch these fantastic films!

Continue reading NOW PLAYING: Morteza Farshbaf’s MOURNING and Nine Other Films to Watch–Everywhere!

NOW PLAYING: Fat, Short, Bald Man from Colombia and Nine Other Global Lens 2012 Films You Don’t Want to Miss!

¿Habla Español? Click here to watch the NY1 TV interview with director Carlos Osuna!

GLOBAL LENS 2012: Click on the map to find a screening near you!

The story: The prospects for a lonely middle-aged notary unexpectedly change after he joins a self-improvement group and his charismatic new boss—and strangely affable doppelgänger—takes an interest in his life.

First-time Colombian director Carlos Osuna’s charming rotoscope feature is now screening at locations across the U.S. and Canada, and is also available for booking in festivals or theaters, along with nine other award-winning and critically acclaimed films from the new Global Lens 2012 series!

Click here to see where these films are playing, or email us at bookings@globalfilm.org to schedule films today!

Continue reading NOW PLAYING: Fat, Short, Bald Man from Colombia and Nine Other Global Lens 2012 Films You Don’t Want to Miss!

Global Lens 2012 @ MoMA and Beyond!

This year’s launch in New York set our universe in motion thanks to a host of filmmakers, friends and more than a little help from MoMA and a one-man army…

Angelica in the Stars

Angelica Dongallo, Acquisitions & Granting Dynamo, kicks-off Global Lens 2012 amongst the stars

 

What can we say–it was spectacular. And for as much as we’d really like to tell you about the launch of Global Lens 2012 in New York, pictures do the job so much better. The stars were out and in alignment, and the year began with a big bang, cosmic kismet and maybe even a few good parties–see for yourself!

Next stop: everywhere. Global Lens 2012 will be playing all across the U.S. and Canada, from Palm Springs to Boston, Latin Wave in Houston and Vue d’Afrique in Montreal–check our calendar!

A special thanks to Jytte Jensen, Curator, and Clay Farland, at the MoMA Department of Film; Consul General M. Levent Bilgen, Consul Ismet Erikan and the Turkish Consulate General of New York; Robert Avila; Gary Ponzo; Gianfranco Sorrentino and our friends at Gattopardo; Carlos Gutierrez; Tom Vick at the Smithsonian Institution; Engin “One-Man Army” Yeniduniya; and Global Lens 2012 directors Bujar Alimani, Tolga Karacelik, Carlos Osuna, Gustavo Pizzi, and Oday Rasheed–none of this would’ve been possible without you.

 

 

 

Continue reading Global Lens 2012 @ MoMA and Beyond!

NOW PLAYING: Global Lens on Festival Scope

Programmers, curators and more–preview our 2012 lineup on Festival Scope!

Every January, just around the time we launch a new season of Global Lens, we get hit with multiple requests from curators and programmers for screening copies of our films. And we love it. The only problem: we can’t always keep up with the demand, especially when those films are making news (i.e. MOURNING, THE PRIZE, PEGASUS, AMNESTY…)

MOURNING (dir. Morteza Farshbaf, Iran) now available on Festival Scope

So, woe is us, such an exquisite difficulty and what’s a boutique nonprofit film organization supposed to do. Or rather, how do we keep the promise made to our filmmakers, of promoting their films to the widest and most geographically diverse audience possible? And how do you get to see Global Lens in your city, festival and theater…

Well, our longtime friend, Alessandro Raja, has an answer: Festival Scope

Festival Scope is our newest promotional partner for Global Lens. Launched in 2010 by Alessandro (formerly of Celluloid Dreams), it’s an online film viewing resource created exclusively for industry professionals who want to review films, immediately, from the wonderful world of festivals. Dubai, Busan, Torino, Toronto–name it and you’ll likely find it on Festival Scope.

Continue reading NOW PLAYING: Global Lens on Festival Scope

Global Lens 2012 @ MoMA!

Our ninth season opens January 12th in New York with the director, cast and crew of TOLL BOOTH

The new year is just a few weeks away, and with it comes launch of Global Lens 2012 at the Museum of Modern Art, January 12th-28th! The presentation, as many of you know, is part of our annual and ongoing collaboration with the Museum, and is organized by Jytte Jensen, Senior Curator in MoMA’s Department of Film. And what can we say except…

It’s one of our best series yet. Global Lens 2012 includes GREY MATTER, the first narrative feature film produced in Rwanda by a native Rwandan filmmaker; the oh-so-lovable Farfan, star of FAT, BALD SHORT MAN (the first-ever rotoscope feature for Global Lens); and top picks from Pusan, FESPACO, Morelia and Guadalajara international film festivals (and, not to mention, Albania’s official submission to the Oscars: AMNESTY).

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SUPPORT: Beyond Sun-Tzu

Santhosh Daniel, GFI Director of Programs, on the business of doing “good business”

A scene from MOURNING, by Iranian director Morteza Farshbaf (Global Lens 2012)

A few days ago, at the blink of midnight, we closed a distribution deal for the Iranian film MOURNING, by Morteza Farshbaf. And, like all late-night business, it was a harried affair, replete with heavy texting and the adrenalin rush of knowing we had acquired a film that, only a few hours earlier, took top awards at the 2011 Busan International Film Festival—Asia’s largest festival and film market.

For us, it was the culmination of a long four days in Busan and also, a modest pinnacle of achievement. Normally, we don’t make a play for films that are fresh out of a festival, covered in the glitter of awards—not because we don’t see the value of the work, but simply because the strength of our endeavor has never been about being the proverbial “player,” making a deal and beating our competitors for the “hot” film on the market.

But this film struck a very different and distinct chord, and so we decided to make an offer. And in the afterglow of signing it for our 2012 lineup (Global Lens 2012), it afforded us the opportunity to consider how such a deal, for such a film, was possible…

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Picture This: Reinventing the Single-Screen Cinema in Westchester

GFI chats with Global Lens partner The Picture House about history, change, and making the switch from commercial theater to arthouse cinematheque

A single screen, many stories

Last week we posted about the unfortunate closure of the Red Vic Movie House, one of San Francisco’s most unique and celebrated arthouse theaters for the past 31 years. As an antidote to that sad event, today we bring you a profile of The Picture House, Westchester County’s gorgeous single-screen theater that specializes in showing the best in independent, international and classical cinema.

A new screening-partner of ours, The Picture House hosted Global Lens 2011 last month, which of course included A USEFUL LIFE, Federico Veiroj’s bittersweet homage to cinephile culture. But unlike the film’s Cinemateca Uruguay, which is forced to close after the archive fails to make financial ends meet (and as other theaters across the United States are actively moving away from arthouse fare in favor of the latest blockbusters), the Picture House recently made the bold decision to a switch from a first-run commericial theater to an arthouse cinematheque. This past week we caught up with Jennifer Christman, Executive Director of The Picture House, to discuss this impressive move and the future of their institution.

Can you give our readers a brief overview of The Picture House, its history

Continue reading Picture This: Reinventing the Single-Screen Cinema in Westchester