INDUSTRY: Feast Your Eyes on FICG 28

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“For all hands”

Acquisitions and Granting Manager Angelica Dongallo recounts the sights and sounds of Mexico’s prestigious film festival…

Guadalajara: home of mariachis, tequila country, and the Festival Internacional de Cine en Guadalajara (FICG). I arrived in the “valley of stones” during the wee hours of the day of opening night activities, and contemplated the next few days’ prospects as we drove through the speckled-lit streets of the sleeping city.

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FEATURE: Global Migration–More Than The Birds

HofburgFounder and Board Chair Susan Weeks Coulter traveled to Vienna this past week to take part in the UNAOC panel on media and intercultural dialogue…

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INDUSTRY: Happy Hour, How LOVELY

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Cozy up to the bar with us at Churchill!

We raise a toast to MISS LOVELY director and GFI grant recipient Ashim Ahluwahlia–the San Francisco Film Society’s newest Artist-in-Residence!

Is there a better way to offer a warm welcome than by sharing a celebratory cocktail at Churchill? We think not. On February 26, we joined our friends at the San Francisco Film Society in welcoming their new Artist-in-Residence, filmmaker Ashim Ahluwalia (director of MISS LOVELY), and boy, was it a success! Killer drinks, awesome giveaways and the best company around–what could be better?

Thanks to everyone who came out, and if you missed us, fear not! For we have assembled a fine batch of pictures through which to vicariously relive the night…

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NEWS: GFI Joins the UNAOC Global Forum

UNAOC_logoFounder and Board Chair Susan Weeks Coulter travels to Vienna this week to take part in the UNAOC panel on media and intercultural dialogue…

Every year, the Global Film Initiative makes it presence known around the world—via screenings, grants and most visibly, attendance of festivals and film industry events (the most recent of which are Goa, and upcoming Guadalajara).

But this is just one dimension of our global identity. As many of you know, we often present on education and cultural diplomacy via the arts, and using film as a tool to rethink how we connect as communities, cultures and societies. And every now and then, we do this with a few thousand colleagues…

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NEWS: Ashim Ahluwalia @ San Francisco Film Society, February 23rd-March 9th

Ashim Ahluwalia

Ashim Ahluwalia

SF Film Society announces its newest Artist in Residence and it happens to be one of our filmmakers. How LOVELY…

After what seems to be the longest drum-roll ever, we’re pleased to announce that Indian director (and GFI grantee) Ashim Ahluwalia will be visiting the Bay Area next month as part of the San Francisco Film Society’s Artist in Residence program, February 23rd-March 9th!

The residency will feature the Bay Area premiere of MISS LOVELY–Ashim’s second feature, post Cannes, currently in Rotterdam, big stuff—on Thursday, January 28th (co-presented by GFI–tickets here), and a post-screening discussion moderated by Ivan Jaigirdar (of 3rdi). Also included in the residency will be visits to schools and universities, and in-classroom screenings of Ashim’s first film, JOHN & JANE (students only).

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NEWS: Eye of the Tiger

After a year of hunkering down and “getting it done,” GFI films make a spectacular splash at Rotterdam…

De Doelen @ IFFR

It’s no secret that since the dawn of our existence, the International Film Festival of Rotterdam (IFFR) has been one of our closest “professional” friends…

We’ve received golden advice from Simon Field on our Granting Program, and Sandra den Hamer sits on our Film Board. And, of course, as our filmmakers know, we’ve run around the world, from Busan to Valdivia, with our friends from Cinemart and Hubert Bals.

In other words, we love IFFR. Not just de Doelen, frites and films. Or the characteristic chill and rooftop cocktails. We love all those things, yes. But ultimately, what we cherish is the inspired purpose of the festival, and how it has launched (and loved), so many of the filmmakers we also support.

So, it’s with a great pride and pleasure that we note this year’s festival, IFFR 2013, is presenting more than just a few of our filmmakers. In Bright Future. Spectrum. And more:

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TAKE INITIATIVE: The Theory (and Story) of Stone Soup

Soup's on: Matt Poland, CEO (far left) and Jerome Meyers, Public Services Director (far right), of the Hartford Public Libary with Jeremy Quist, Global Lens Series Manager and Santhosh Daniel, Director of Programs

Ten years later, the the folk tale is still the best way to define our community, films and programs

Do you know the story of “Stone Soup?” It goes something like this:

Some travelers come to a village, carrying nothing more than an empty cooking pot. Suspicious, the villagers are unwilling to share any of their food with the hungry travelers. So, the travelers go to a stream and fill the pot with water, drop a large stone in it, and place it over a fire…

Eventually, one of the villagers becomes curious and asks what they are doing. The travelers declare, “We’re making stone soup!” “What does it taste like?” asks the villager. And the travelers say, “Why, it tastes wonderful—but could use something to improve the flavor.” Enchanted, the villager decides to give them a few carrots…

A few moments later, another villager walks by. And the travelers again mention their stone soup, which still needs “something” to make it just right. The villager hands them a little bit of seasoning to help them out. Eventually, more and more villagers walk by, each adding another ingredient. And finally, the entire village adds a little something, and

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NEWS: Global Lens 2013 @ MoMA!

Global Lens 2013: Change the Way You See the World

Our tenth anniversary opens with China’s Sixth Generation, Sebastián Silva, the biggest film you’ve ever seen from Brazil (literally), and a host of Global Lens alumnus.…

It’s our tenth year and we’re kicking off Global Lens 2013, January 10th-26th, with ten films at the Museum of Modern Art! It’s going to be some celebration…

BEIJING FLICKERS will open the series on January 10th with a week-run at MoMA and director Zhang Yuan and actor Li Xinjun in attendance, to launch the festivities (a must see: Zhang is the acclaimed director of Beijing Bastards, and part of the gritty Sixth Generation ethos—who in the ‘90s, pushed Chinese filmmaking out of an overly-romanticized lens into the alter-reality of its edgy, urban psyche).

Also in New York for the GL13 opening: Suman Ghosh for the North American premiere of SHYAMAL UNCLE TURNS OFF THE LIGHTS, on January 11th. This film is something to indeed be experienced with the director, as he runs his fingers through the tangled hair of Kolkata’s bureaucracy; an inspired and insightful work that carries a subtle charm, similar to another Global Lens standout.

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SUPPORT: Our Roots Are Showing

The Inauguration: MARGARETTE'S FEAST, the first film acquired for Global Lens

After years of ‘pushing the envelope’ and ‘changing the game’ with Global Lens, we went back to the basics for our tenth year…

Global Lens 2013 is just around the corner, and if you haven’t noticed [with all the fanfare], it’s the tenth anniversary of our most beloved series. A ‘decade of film’—from silent to sign language, notes of opera and narrative “firsts.” Baghdad. Mina Gerais. The Caspian Sea…

It’s an accomplishment. Over the years, almost 100 filmmakers, from backgrounds as varied and diverse as the history of cinema, trusted us to take their vision to screen via Global Lens. That we did, with the help of just a few thousand friends. And in just a few short weeks, we’ll be heading to New York to christen this tenth year of Global Lens with our very first friend: the Museum of Modern Art.

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NEWS: Global Lens @ Great Star Chinatown

A moment in time: The Great Star Theater, in its early days of greatness

GFI hits the streets of SF’s Chinatown with a showcase of Chinese cinema at the iconic Great Star Theater…

San Francisco’s Chinatown—what’s not to love. It’s the oldest and most storied neighborhood of the city (with North Beach and Mission as close competitors for the title), and the site of many untold tales…

Such as the arrival of “Hong Kong cinema” in 60s, via the silvery screen of the Great Star Theater—the landmark arthouse cinema credited with bringing this iconic era of cinema to the States more than fifty years ago–and now experiencing a revival (following its almost near-extinction), and soon to be credited with GFI’s first showcase presentation of Chinese cinema in the city, ever:

[from Asian Week]The Global Film Initiative, in partnership with the Center for Asian American Media (CAAM), is pleased to announce the presentation of four award-winning Chinese films from the Global Lens Collection on Friday, November 30th and Saturday, December 1st at the historic Great Star Theater, located in the heart of San Francisco’s Chinatown neighborhood.

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