Twelve New Titles from Global Lens Collection just Released on DVD

The Global Film Initiative is pleased to announce that the following films are now available on DVD

The Student | Excuse My French | 10 to 11 | Voice of My Father | Adios Carmen | Pegasus | Image Threads | Nina’s Dowry| The Pardon | Halima’s Path | Pelo Malo/Bad Hair | Southwest

http://catalogue.globalfilm.org/

CONGRATULATIONS! Global Film Initiative, 2012 grant recipient selected to represent Serbia in upcoming Academy Awards Foreign Language Competition

Enclave
Enclave Goran Radovanovic’s film is about a tiny Serb community living under UN protection in Kosovo.

Serbia’s nomination for best foreign-language Oscar turns clichés about the bitter civil war in Yugoslavia on their head.

Focused on a tiny Serb community living in a UN-protected enclave in Muslim Kosovo, EnclaveGoran Radovanovic’s second feature – looks at the legacy of ethnic cleansing and internecine conflict through the eyes of a small boy, Nenad.

Every day Nenad is taken to school from his father’s farm in a KFOR armored car to study alone in a school with no other pupils. Like any other boy of his age, all Nenad wants are some friends his own age. Each day, through narrow observation slits in the military vehicle he sees two Albanian boys and a shepherd boy – who has lost his father in the war and hates Serbs.

The film won an audience award last June after a competition screening at the Moscow International Film Festival.

www.enklavafilm.com

Nine Global Lens Films Featured in April 2015 Series at MOMA

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New York audiences have a second chance to view 9 Global Lens films that they might have been overlooked during their initial screenings. Our special thanks to Curator Jytte Jensen who has championed GFI’s activities for the past twelve years, and for her role as an uncompromising supporter of films from emerging nations.

The films and the dates of screenings are as follows:

Saturday, April 4

About 111 Girls (Darbare 111 Doktar)

Iraq | Directed by Nahid Ghobadi & Bijan Zamanpira (79 mins.) — A government official, carrying a message from Iran’s president, travels across Iranian Kurdistan with his driver and a young guide on a mission to stop 111 young Kurdish women from committing suicide.

Sunday, April 5

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Egypt | Directed by Mohamed Diab (100 mins.)– Three Cairene women from different backgrounds join together in uneasy solidarity to combat the sexual harassment that has impacted each of their lives.

Student

Kazakhstan by Darezhan Omirbayev (90 mins.)–A solitary philosophy student steers his directionless life toward the commission of a violent crime.

Monday, April 6

Pegase

Morocco | Directed by Mohamed Mouftakir (104 mins.)–An emotionally exhausted psychiatrist assigned to a pregnant young woman found in the street muttering about “The Lord of the Hope.”

Qarantina

Iraq | Directed by Oday Rasheed (90 mins.)–A broken family with

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Recipient of 2012 Global Film Initiative Grant Factory Girl – Congratulations!

Cairo, Egypt | Friday- 6 February, 2015

In a fresh breakthrough for Mohamed Khan‘s Factory Girl across film festivals worldwide, Arab Cinema in Sweden (ACIS), a distribution arm under the umbrella of Malmo Arab Film Festival, has announced the theatrical release of Factory Girl across Sweden on Friday, April 24th, 2015. Marking the film’s first release beyond the Arab world, Factory Girl is part of the European Film Market (EFM) within 65th Berlin International Film Festival.

Across Sweden where the largest Arabic-speaking community resides in Europe, Factory Girl will release in 12 screening venues including, Stockholm, Gothenburg, Malmö, Norrkoping, Fajo, Umeå, Luleå, Lund and Hillsburg.

Produced by Mohamed Samir‘s DayDream Art Production, MAD Solution handled the distribution of Factory Girl in the Arab world, which also helms the Arab Cinema Center in its 1st edition at Berlinale as part of its long-term strategy to support and promote the Arab filmmaking industry in the Arab world.

Alaa Karkouti, CEO and Co-founder of MAD Solutions commented, “Factory Girl‘s theatrical release across Sweden is going to function as a new window on the Arab cinema for all film lovers in Sweden. He further added, “Our collaboration with the ACIS is an important step to us, as the screening of Factory Girl will highlight the artistic diversity and abundance of the Arab cinema. Since its inception, Malmo Arab Film Festival has been playing a crucial role in backing Arab filmmakers and this step marks a culmination of these long-standing efforts.”

Expressing his eagerness

Continue reading Recipient of 2012 Global Film Initiative Grant Factory Girl – Congratulations!

The foreign-language features will be distributed by FilmRise

 

Post on 9-27 for GFI

‘Bad Hair’

The Global Film Initiative has chosen 10 films from around the world for its 2014 Global Lens Films Series, which is distributed by the New York-based FilmRise. The 10 titles also will be added to the 96-title GFI library, whose exclusive distribution rights FilmRise, headed by CEO Danny Fisher, acquired last year.

The new film lineup includes Turkey’s 11’e 10 kala (10 to 11) and Babamin sesi (Voice of My Father), India’s Chitra Sutram (The Image Threads), Armenia’s Yerku ashkharhic i hishatak (From Two Worlds as a Keepsake), Bosnia and Herzegovina’s Halimin put (Halima’s Path), Venezuela’s Pelo Malo (Bad Hair) Rwanda’s Imbabazi (The Pardon), Morocco’s Wadaan Carmen (Adios Carmen), Cameroon’s Ninah’s Dowry and Egypt’s La Moakhza (Excuse My French).

Over the past 10 years, the Global Film Initiative has provided grants and distribution support for the Global Lens series, which supports filmmakers in the developing world by providing programming for festivals, libraries, cultural institutions, schools and art house cinemas throughout North America.

“We are excited to leverage our partnership with FilmRise as we continue our work to present the very best of world cinema as a means of promoting cross-cultural understanding,” Susan Weeks Coulter, founder and board chair of the Global Film Initiative, said.

GFI’s long-time EDU writer, Kathy Warren, receives her Phd in online learning! Congratulations, Kathy!

Kathy Warren

Now Playing: Global Lens Dives Into Summer

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THE PARADE (Global Lens 2013) plays The Human Rights Watch Film Festival in New York this June

THE PARADE, STUDENT and the rest of Global Lens 2013 soak up the summer screen…

Global Lens 2013 is heating up screens across the country all through the summer! This month in the spotlight:

Srdjan Dragojević’s THE PARADE is set to screen at the Human Rights Watch Film Festival this month (June 13-23) in New York City. Through its humane and shrewdly comedic story, this powerful film exposes us to gay rights issues that many face in Serbia today.

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GRANTING: Ten Years to the Day in Global Film Funding

Ten years ago today, GFI announced the recipients of the inaugural granting program, and look at us now…

granting

On April 10, The Global Film Initiative announced it’s most recent grant recipients from the Winter 2012 granting cycle. The list of grantees features 11 works from both emerging and established filmmakers, representing 10 different countries around the world, and each project demonstrates great promise and vision. As Susan Weeks Coulter, Founder and Board Chair, said in the announcement: “We are pleased to identify and support these eleven unique and powerful narratives.”

What makes this granting cycle particularly special, however, is that it is the most recent in GFI’s now decade-old granting program. Ten years ago to the day, the very first round of grantees were announced on May 16, 2003. In celebration of this milestone, we’re taking a look back on the films GFI has funded over the years.

Again and again, our grantees represent filmmakers who are not afraid to challenge convention–to make sometimes dangerous, but always fiercely truthful statements about the society, and the world, that reflect them. These films often represent new perspectives and voices in storytelling–voices which are too often silenced or misrepresented in the mainstream–and hold promise in heralding a new generation of filmmakers.

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INTERVIEW: Life, Death and Moving On with Sebastián Silva

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Filmmaker Sebastán Silva

Rob Avila asks the [young] veteran about his very first feature, LIFE KILLS ME, and whether there’s any truth to the saying ‘what doesn’t kill you makes you stronger’…

Rob Avila met Sebastián Silva–the 34-year-old New York-based Chilean filmmaker, who received international acclaim in 2009 with his beautifully wrought, darkly funny drama, THE MAID (LA NANA)–at the beginning of a very big week. Silva debuted not one but two new films at the 2013 Sundance Film FestivalCRYSTAL FAIRY and MAGIC MAGIC—both featuring popular Canadian actor Michael Cera. Even before that happened, Silva headed to the Museum of Modern Art for the New York premiere of yet another of his films–his very first, 2007’s LIFE KILLS ME (LA VIDA ME MATA), as part of the Global Film Initiative’s Global Lens 2013 series.

LIFE KILLS ME centers on a taciturn young man, Gaspar (Gabriel Díaz), emotionally immobile and feebly suicidal with grief since the death of his idolized older brother. Gaspar lives with his older sister, his senile mother, and his dying grandfather, but occupies his time working as a cinematographer on a short horror film written and directed by, as well as starring, a flamboyant and irrepressible no-talent named Susana (the scene-stealing Claudia Celedón, who with costar Catalina Saavedra would go

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FEATURE: SOUTHWEST Screened at San Francisco’s Historic Clay Theater in 35mm

photoA birth, a death, a lifetime–Eduardo Nunes’ incredible debut feature film contains the longest measure of time imaginable in a single day and on April 10, GFI hosted one unforgettable screening of the film

The Global Film Initiative held an event for local friends that might be called a purist-cinephile’s dream–a screening of Eduardo Nunes’ visually striking, black and white film, SOUTHWEST, in 35mm, at San Francisco’s historic Clay Theater. It was a return to the collective spectatorship that went hand-in-hand with the cinematic experience in days before the advent of personal computers and televisions, a celebration of film and the connectivity it can provide.

Continue reading FEATURE: SOUTHWEST Screened at San Francisco’s Historic Clay Theater in 35mm