SOUTHWEST (coming soon via Global Lens 2013!) wins a critics award in Montreal, WHEN I SAW YOU wins Best Arab Film in Abu Dhabi and MISS LOVELY takes the festival circuit by storm!
It’s a new month and that means more festival appearances and awards for our Global Lens and GFI-funded films! See below for the latest updates:
GFI grant recipient WILDLIFE (Philippines) won the NETPAC Award for Best Asian Film at the Warsaw Film Festival! (Photo: Busan IFF)
Continue reading FESTIVALS & AWARDS: Festival du Nouveau Cinema, Abu Dhabi FF, Mumbai FF and more!
Lust, Longing and Chuyen’s ADRIFT and Granaz Moussavi’s Controversial MY TEHRAN FOR SALE to release on DVD January 31st
We’re pleased to announce the DVD release of two new films from the Global Lens film series, featuring a charged performance by Vietnamese actress Hai Yen and Moussavi’s “hit and run” chronicle of Tehran’s underground art scene:
ADRIFT (CHOI VOI), dir. Bui Thac Chuyen, Vietnam, 2009, 110 minutes, Vietnamese, with subtitles in English
A young wife, ignored by her immature spouse, is caught in a love triangle between her best friend and a handsome stranger during a languorous summer in Hanoi. FIPRESCI Prize, Venice International Film Festival; Official Selection of the International Film Festival Rotterdam (Bright Future).
“A subtle, melancholy exploration of erotic angst and uncomfortable awakening…Adrift evokes a culture whose puritanical restraints have begun to loosen, allowing dangerous sparks to fly. Once desire has been unleashed, smugly settling for less is no longer a comfortable option.“ -The New York Times
“Beautiful, and tightly focused on the emotional, romantic, and sexual lives of men and women in Hanoi….This is new Vietnamese cinema.” -diaCRITICS
MY TEHRAN FOR SALE, dir. Granaz Moussavi, Iran, 2009, 95 minutes, Farsi and English, with subtitles in English
Continue reading NEW ON DVD: Adrift and My Tehran For Sale!
Programmers, curators and more–preview our 2012 lineup on Festival Scope!
Every January, just around the time we launch a new season of Global Lens, we get hit with multiple requests from curators and programmers for screening copies of our films. And we love it. The only problem: we can’t always keep up with the demand, especially when those films are making news (i.e. MOURNING, THE PRIZE, PEGASUS, AMNESTY…)
MOURNING (dir. Morteza Farshbaf, Iran) now available on Festival Scope
So, woe is us, such an exquisite difficulty and what’s a boutique nonprofit film organization supposed to do. Or rather, how do we keep the promise made to our filmmakers, of promoting their films to the widest and most geographically diverse audience possible? And how do you get to see Global Lens in your city, festival and theater…
Well, our longtime friend, Alessandro Raja, has an answer: Festival Scope
Festival Scope is our newest promotional partner for Global Lens. Launched in 2010 by Alessandro (formerly of Celluloid Dreams), it’s an online film viewing resource created exclusively for industry professionals who want to review films, immediately, from the wonderful world of festivals. Dubai, Busan, Torino, Toronto–name it and you’ll likely find it on Festival Scope.
Continue reading NOW PLAYING: Global Lens on Festival Scope
Our ninth season opens January 12th in New York with the director, cast and crew of TOLL BOOTH
The new year is just a few weeks away, and with it comes launch of Global Lens 2012 at the Museum of Modern Art, January 12th-28th! The presentation, as many of you know, is part of our annual and ongoing collaboration with the Museum, and is organized by Jytte Jensen, Senior Curator in MoMA’s Department of Film. And what can we say except…
It’s one of our best series yet. Global Lens 2012 includes GREY MATTER, the first narrative feature film produced in Rwanda by a native Rwandan filmmaker; the oh-so-lovable Farfan, star of FAT, BALD SHORT MAN (the first-ever rotoscope feature for Global Lens); and top picks from Pusan, FESPACO, Morelia and Guadalajara international film festivals (and, not to mention, Albania’s official submission to the Oscars: AMNESTY).
Continue reading Global Lens 2012 @ MoMA!
Santhosh Daniel, GFI Director of Programs, on the business of doing “good business”
A scene from MOURNING, by Iranian director Morteza Farshbaf (Global Lens 2012)
A few days ago, at the blink of midnight, we closed a distribution deal for the Iranian film MOURNING, by Morteza Farshbaf. And, like all late-night business, it was a harried affair, replete with heavy texting and the adrenalin rush of knowing we had acquired a film that, only a few hours earlier, took top awards at the 2011 Busan International Film Festival—Asia’s largest festival and film market.
For us, it was the culmination of a long four days in Busan and also, a modest pinnacle of achievement. Normally, we don’t make a play for films that are fresh out of a festival, covered in the glitter of awards—not because we don’t see the value of the work, but simply because the strength of our endeavor has never been about being the proverbial “player,” making a deal and beating our competitors for the “hot” film on the market.
But this film struck a very different and distinct chord, and so we decided to make an offer. And in the afterglow of signing it for our 2012 lineup (Global Lens 2012), it afforded us the opportunity to consider how such a deal, for such a film, was possible…
Continue reading SUPPORT: Beyond Sun-Tzu
Congratulations to the following Global Lens films and filmmakers:
Uruguayan director Federico Veiroj’s A USEFUL LIFE received the Coral Award for Best Film and Argentinean director Diego Lerman’s THE INVISIBLE EYE was awarded the Special Jury Prize at the 2010 New Latin American Film Festival in Havana, Cuba. Featured in Global Lens 2011.
DOOMAN RIVER, by Chinese director Zhang Lu, received the NETPAC Award at the 2010 Pusan International Film Festival. GFI grant awarded in 2009 and featured in Global Lens 2011.