NEWS: GFI Joins the UNAOC Global Forum

UNAOC_logoFounder and Board Chair Susan Weeks Coulter travels to Vienna this week to take part in the UNAOC panel on media and intercultural dialogue…

Every year, the Global Film Initiative makes it presence known around the world—via screenings, grants and most visibly, attendance of festivals and film industry events (the most recent of which are Goa, and upcoming Guadalajara).

But this is just one dimension of our global identity. As many of you know, we often present on education and cultural diplomacy via the arts, and using film as a tool to rethink how we connect as communities, cultures and societies. And every now and then, we do this with a few thousand colleagues…

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SPOTLIGHT: Dialogue, Diversity, and Community in Rhode Island

 

ba065ec4c78ade1a2ec8fdc5b8bc730fDr. Anthony Galvez of Rhode Island College’s Dialogue on Diversity Committee on engaging the campus in a conversation about global understanding…

In the fall of 2011, Anthony Galvez, a communications professor at Rhode Island College (RIC), first contacted us to discuss the possibility of hosting Global Lens in Providence. A year later, RIC had struck a partnership with the Providence Public Library to co-present the 2012 series for their community, premiering THE FINGER and THE PRIZE in Rhode Island in September. The series was a hit, and the screenings sparked spirited audience discussions, sometimes continuing onto the streets of downtown Providence! The College and the Library are partnering again this year to showcase Global Lens 2013, and we recently caught up with Dr. Galvez and Antoinette Gomes (Director of RIC’s Unity Center) to chat about the impact of our films on the community.

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SPOTLIGHT: CAIRO 678 and The Carter Center

The Carter Center

The Carter Center

This month, The Carter Center will be screening CAIRO 678, from Global Lens 2013, at their “Winter Weekend” in San Diego—a four-day event featuring guests such as former UN Ambassador Andrew Young, and a town hall with former U.S. President and Nobel laureate Jimmy Carter, and former First Lady Rosalynn Carter.

This is our first time working with the Center, and so we asked Ahna B. Machan, Senior Associate Director of Development, and organizer of the event, to discuss why this particular film was selected for the Winter Weekend, and how it fits with The Carter Center’s mission and vision:

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NOW PLAYING: Right on Time with CAIRO 678

Cairo678banner“Cairo 678 is an important film — one all women should watch and all men should pay attention to.” – The Huffington Post

Global Lens 2013 is full-steam ahead, wrapping up at the Santa Barbara IFF and Portland IFF, and this month we’re putting the spotlight on CAIRO 678.

 

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OPEN MIC: Teaching Global Citizenship Through Film

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If a film is a mirror of the culture that bares it, there is a wealth of information in the images it shows us. A scene from GREY MATTER.

Former intern Andrea Moran on bringing film in the classroom and why a plan for international education is so important…

A few months ago, U.S. Department of Education released its first ever plan for international education. The 16-page report, titled “Succeeding Globally Through International Education and Engagement” is a 4-year strategy for increasing American students’ knowledge and engagement with world affairs.

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NEWS: Ashim Ahluwalia @ San Francisco Film Society, February 23rd-March 9th

Ashim Ahluwalia

Ashim Ahluwalia

SF Film Society announces its newest Artist in Residence and it happens to be one of our filmmakers. How LOVELY…

After what seems to be the longest drum-roll ever, we’re pleased to announce that Indian director (and GFI grantee) Ashim Ahluwalia will be visiting the Bay Area next month as part of the San Francisco Film Society’s Artist in Residence program, February 23rd-March 9th!

The residency will feature the Bay Area premiere of MISS LOVELY–Ashim’s second feature, post Cannes, currently in Rotterdam, big stuff—on Thursday, January 28th (co-presented by GFI–tickets here), and a post-screening discussion moderated by Ivan Jaigirdar (of 3rdi). Also included in the residency will be visits to schools and universities, and in-classroom screenings of Ashim’s first film, JOHN & JANE (students only).

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EDUCATION: Watch, Explore, Contribute: Global Lens-Based Tutorial Now Online!

In BORDER CAFE a woman earns economic independence and wins the love of this man with her cooking.

Kathy Warren, uses two Global Lens films to create unique online learning tutorials on Sophia.org

The Global Film Initiative asked Ms. Warren to describe the educational website and her inspiration for creating a tutorial with some of our award-winning Global Lens films:

GFI: Tell us a little bit about this website?

KW: Sophia.org is a website developed by Capella University, where I am working toward a Ph.D. in online learning design.

It is a free resource available to anyone, anywhere, to develop and run “tutorials” or lesson plans. The website has more than 28,000 tutorials, and lessons can contain videos, audio, links and other resources, for a class at school, or for a group discussion, or for just about any other learning opportunity.

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EDUCATION: Global Lens 2013 Discussion Guides Now Available Online!

Discussion guide for Mohamed Diab’s film, CAIRO 678

Bring the best in independent international film to your classroom with our newest Global Lens Discussion Guides…

And we’re excited to announce that new Global Lens 2013 film discussion guides are now available online!

From social class in India to the 2011 Egyptian revolution, Global Lens guides not only feature film discussion questions , but include background about each country’s unique culture and history.

TAKE INITIATIVE: The Theory (and Story) of Stone Soup

Soup's on: Matt Poland, CEO (far left) and Jerome Meyers, Public Services Director (far right), of the Hartford Public Libary with Jeremy Quist, Global Lens Series Manager and Santhosh Daniel, Director of Programs

Ten years later, the the folk tale is still the best way to define our community, films and programs

Do you know the story of “Stone Soup?” It goes something like this:

Some travelers come to a village, carrying nothing more than an empty cooking pot. Suspicious, the villagers are unwilling to share any of their food with the hungry travelers. So, the travelers go to a stream and fill the pot with water, drop a large stone in it, and place it over a fire…

Eventually, one of the villagers becomes curious and asks what they are doing. The travelers declare, “We’re making stone soup!” “What does it taste like?” asks the villager. And the travelers say, “Why, it tastes wonderful—but could use something to improve the flavor.” Enchanted, the villager decides to give them a few carrots…

A few moments later, another villager walks by. And the travelers again mention their stone soup, which still needs “something” to make it just right. The villager hands them a little bit of seasoning to help them out. Eventually, more and more villagers walk by, each adding another ingredient. And finally, the entire village adds a little something, and

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NEWS: Global Lens 2013 @ MoMA!

Global Lens 2013: Change the Way You See the World

Our tenth anniversary opens with China’s Sixth Generation, Sebastián Silva, the biggest film you’ve ever seen from Brazil (literally), and a host of Global Lens alumnus.…

It’s our tenth year and we’re kicking off Global Lens 2013, January 10th-26th, with ten films at the Museum of Modern Art! It’s going to be some celebration…

BEIJING FLICKERS will open the series on January 10th with a week-run at MoMA and director Zhang Yuan and actor Li Xinjun in attendance, to launch the festivities (a must see: Zhang is the acclaimed director of Beijing Bastards, and part of the gritty Sixth Generation ethos—who in the ‘90s, pushed Chinese filmmaking out of an overly-romanticized lens into the alter-reality of its edgy, urban psyche).

Also in New York for the GL13 opening: Suman Ghosh for the North American premiere of SHYAMAL UNCLE TURNS OFF THE LIGHTS, on January 11th. This film is something to indeed be experienced with the director, as he runs his fingers through the tangled hair of Kolkata’s bureaucracy; an inspired and insightful work that carries a subtle charm, similar to another Global Lens standout.

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