Cozy up to the bar with us at Churchill!
We raise a toast to MISS LOVELY director and GFI grant recipient Ashim Ahluwahlia–the San Francisco Film Society’s newest Artist-in-Residence!
Is there a better way to offer a warm welcome than by sharing a celebratory cocktail at Churchill? We think not. On February 26, we joined our friends at the San Francisco Film Society in welcoming their new Artist-in-Residence, filmmaker Ashim Ahluwalia (director of MISS LOVELY), and boy, was it a success! Killer drinks, awesome giveaways and the best company around–what could be better?
Thanks to everyone who came out, and if you missed us, fear not! For we have assembled a fine batch of pictures through which to vicariously relive the night…
Continue reading INDUSTRY: Happy Hour, How LOVELY
UTPA’s librarian extraordinaire Virginia Haynie Gause tells viewers in Macallan, TX, how to experience the world–and stay close to home–with Global Lens…
Pop Quiz! How can one broaden their respect and understanding of other cultures without the means and/or ability to travel? For us here at the Global Film Initiative, the answer is simple: By participating as an active watcher of international cinema, one can learn about the life, language, politics, and customs of another country, and all without a passport!
THE PARADE brings the global conversation on gay rights into focus in Serbia, France and Canada…
This month, THE PARADE is highlighted in a screening at the Human Rights Watch Film Festival in Toronto, Canada. Srdjan Dragojevic’s darkly humorous film turns a lens on a very real issue being debated right now in Serbia and the rest of the world.
Joël Coppens, a former intern and native Belgian, came across a clip of THE PARADE being discussed on the major French talk show On est pas couché. Joël translated some of the conversation, and weighed in with some of his own thoughts:
Continue reading FEATURE: THE PARADE @ Human Rights Watch FF Toronto
Dr. Anthony Galvez of Rhode Island College’s Dialogue on Diversity Committee on engaging the campus in a conversation about global understanding…
In the fall of 2011, Anthony Galvez, a communications professor at Rhode Island College (RIC), first contacted us to discuss the possibility of hosting Global Lens in Providence. A year later, RIC had struck a partnership with the Providence Public Library to co-present the 2012 series for their community, premiering THE FINGER and THE PRIZE in Rhode Island in September. The series was a hit, and the screenings sparked spirited audience discussions, sometimes continuing onto the streets of downtown Providence! The College and the Library are partnering again this year to showcase Global Lens 2013, and we recently caught up with Dr. Galvez and Antoinette Gomes (Director of RIC’s Unity Center) to chat about the impact of our films on the community.
Continue reading SPOTLIGHT: Dialogue, Diversity, and Community in Rhode Island
SF Film Society announces its newest Artist in Residence and it happens to be one of our filmmakers. How LOVELY…
After what seems to be the longest drum-roll ever, we’re pleased to announce that Indian director (and GFI grantee) Ashim Ahluwalia will be visiting the Bay Area next month as part of the San Francisco Film Society’s Artist in Residence program, February 23rd-March 9th!
The residency will feature the Bay Area premiere of MISS LOVELY–Ashim’s second feature, post Cannes, currently in Rotterdam, big stuff—on Thursday, January 28th (co-presented by GFI–tickets here), and a post-screening discussion moderated by Ivan Jaigirdar (of 3rdi). Also included in the residency will be visits to schools and universities, and in-classroom screenings of Ashim’s first film, JOHN & JANE (students only).
Continue reading NEWS: Ashim Ahluwalia @ San Francisco Film Society, February 23rd-March 9th
Following its January premiere at MoMA, Global Lens 2013 heads to Tampa and marks GFI’s sixth year working with Gasparilla…
Every January, without fail, we premiere a brand new Global Lens film series at the Museum of Modern Art in New York City, before it begins its yearlong tour of the country the following month. And this February, the fine folks at the Gasparilla International Film Festival (GIFF) will bring Global Lens to Tampa, FL, for its sixth consecutive year! Starting with Zhang Yuan’s wonderful BEIJING FLICKERS (the opening-night film at the MoMA premiere), GIFF will present two screenings each of all ten films at the Tampa Museum of Art throughout 2013, and most of the series will also be included in the festival proper, which runs from March 19th to the 24th.
Continue reading SPOTLIGHT: A Taste of Gasparilla
Soup's on: Matt Poland, CEO (far left) and Jerome Meyers, Public Services Director (far right), of the Hartford Public Libary with Jeremy Quist, Global Lens Series Manager and Santhosh Daniel, Director of Programs
Ten years later, the the folk tale is still the best way to define our community, films and programs
Do you know the story of “Stone Soup?” It goes something like this:
Some travelers come to a village, carrying nothing more than an empty cooking pot. Suspicious, the villagers are unwilling to share any of their food with the hungry travelers. So, the travelers go to a stream and fill the pot with water, drop a large stone in it, and place it over a fire…
Eventually, one of the villagers becomes curious and asks what they are doing. The travelers declare, “We’re making stone soup!” “What does it taste like?” asks the villager. And the travelers say, “Why, it tastes wonderful—but could use something to improve the flavor.” Enchanted, the villager decides to give them a few carrots…
A few moments later, another villager walks by. And the travelers again mention their stone soup, which still needs “something” to make it just right. The villager hands them a little bit of seasoning to help them out. Eventually, more and more villagers walk by, each adding another ingredient. And finally, the entire village adds a little something, and
Continue reading TAKE INITIATIVE: The Theory (and Story) of Stone Soup
Global Lens 2013: Change the Way You See the World
Our tenth anniversary opens with China’s Sixth Generation, Sebastián Silva, the biggest film you’ve ever seen from Brazil (literally), and a host of Global Lens alumnus.…
It’s our tenth year and we’re kicking off Global Lens 2013, January 10th-26th, with ten films at the Museum of Modern Art! It’s going to be some celebration…
BEIJING FLICKERS will open the series on January 10th with a week-run at MoMA and director Zhang Yuan and actor Li Xinjun in attendance, to launch the festivities (a must see: Zhang is the acclaimed director of Beijing Bastards, and part of the gritty Sixth Generation ethos—who in the ‘90s, pushed Chinese filmmaking out of an overly-romanticized lens into the alter-reality of its edgy, urban psyche).
Also in New York for the GL13 opening: Suman Ghosh for the North American premiere of SHYAMAL UNCLE TURNS OFF THE LIGHTS, on January 11th. This film is something to indeed be experienced with the director, as he runs his fingers through the tangled hair of Kolkata’s bureaucracy; an inspired and insightful work that carries a subtle charm, similar to another Global Lens standout.
Continue reading NEWS: Global Lens 2013 @ MoMA!
The Inauguration: MARGARETTE'S FEAST, the first film acquired for Global Lens
After years of ‘pushing the envelope’ and ‘changing the game’ with Global Lens, we went back to the basics for our tenth year…
Global Lens 2013 is just around the corner, and if you haven’t noticed [with all the fanfare], it’s the tenth anniversary of our most beloved series. A ‘decade of film’—from silent to sign language, notes of opera and narrative “firsts.” Baghdad. Mina Gerais. The Caspian Sea…
It’s an accomplishment. Over the years, almost 100 filmmakers, from backgrounds as varied and diverse as the history of cinema, trusted us to take their vision to screen via Global Lens. That we did, with the help of just a few thousand friends. And in just a few short weeks, we’ll be heading to New York to christen this tenth year of Global Lens with our very first friend: the Museum of Modern Art.
Continue reading SUPPORT: Our Roots Are Showing
‘Change the way you see the world’ with the swipe of a library card, click of a mouse, rip of a movie ticket…
(Photo: Creative Commons)
In a previous post, I discussed the values of education through world cinema, specifically among high school students. But we all know that education really extends beyond school and teachers and students (and books and homework, for that matter), and influences us every day of our lives, regardless of whether we’re enrolled in a formal educational institution. Learning takes place anywhere and everywhere, all the time, and even more so among viewers of Global Lens films.
Take, for example, when a patron enters the Hartford Public Library, seeking to learn about war and its influence on the people living in Iraq. The obvious choice would be to find a book or encyclopedia on the topic, but now that the library is one of several in our Global Public program, anyone can use their library card to check out Global Lens 2012 film QARANTINA (dir. Oday Rasheed, Iraq) for a visceral case-study of a family living in Iraq. The film even shows you the point of view of a military tank as it rolls through the streets of Baghdad…
Continue reading EDUCATION: Learn Everywhere