SUPPORT: ‘Tis the Season of Change

Bucking convention and breaking new ground with our filmmakers…

An indelible image from AMNESTY provides the backdrop for Global Lens 2012

Years ago, one of my grade school teachers said ‘if you do nothing at all in life, at least be original.’ Of course, nowadays, that sentiment is something of a cliché. But back in the days of psychedelia and Sesame Street, it had gravitas. And, truth be told, it has guided some of my ambitions, and is what eventually drew me to the Global Film Initiative…

There are only a few days left in this year, and as we look forward to 2012 and the Initiative’s tenth anniversary, we also look back at the preceding 3500+ days and some of the more original things we’ve done. Community programs, educational initiatives, and a very unique form of business and social enterprise–to name a few. And then, Global Lens, our sterling accomplishment.

But nothing occurs in a vacuum, and we can hardly take credit for all that has happened. And thus, rather than talking about our accomplishments, in the spirit of holiday we’d instead like to thank each of our directors, and friends in the industry, for their very original gifts that comprise the soon-to-be-launched new season of Global Lens:

- To Bujar Alimani, director of AMNESTY, and M-Appeal:

A beautiful

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NOW PLAYING: Global Lens on Festival Scope

Programmers, curators and more–preview our 2012 lineup on Festival Scope!

Every January, just around the time we launch a new season of Global Lens, we get hit with multiple requests from curators and programmers for screening copies of our films. And we love it. The only problem: we can’t always keep up with the demand, especially when those films are making news (i.e. MOURNING, THE PRIZE, PEGASUS, AMNESTY…)

MOURNING (dir. Morteza Farshbaf, Iran) now available on Festival Scope

So, woe is us, such an exquisite difficulty and what’s a boutique nonprofit film organization supposed to do. Or rather, how do we keep the promise made to our filmmakers, of promoting their films to the widest and most geographically diverse audience possible? And how do you get to see Global Lens in your city, festival and theater…

Well, our longtime friend, Alessandro Raja, has an answer: Festival Scope

Festival Scope is our newest promotional partner for Global Lens. Launched in 2010 by Alessandro (formerly of Celluloid Dreams), it’s an online film viewing resource created exclusively for industry professionals who want to review films, immediately, from the wonderful world of festivals. Dubai, Busan, Torino, Toronto–name it and you’ll likely find it on Festival Scope.

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Global Lens 2012 @ MoMA!

Our ninth season opens January 12th in New York with the director, cast and crew of TOLL BOOTH

The new year is just a few weeks away, and with it comes launch of Global Lens 2012 at the Museum of Modern Art, January 12th-28th! The presentation, as many of you know, is part of our annual and ongoing collaboration with the Museum, and is organized by Jytte Jensen, Senior Curator in MoMA’s Department of Film. And what can we say except…

It’s one of our best series yet. Global Lens 2012 includes GREY MATTER, the first narrative feature film produced in Rwanda by a native Rwandan filmmaker; the oh-so-lovable Farfan, star of FAT, BALD SHORT MAN (the first-ever rotoscope feature for Global Lens); and top picks from Pusan, FESPACO, Morelia and Guadalajara international film festivals (and, not to mention, Albania’s official submission to the Oscars: AMNESTY).

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FESTIVALS & AWARDS: Malatya IFF, Cinema Tropical Awards, Thessaloniki IFF and more!

THE FINGER points the way to success, OCTOBER has another great month, and WHEN I SAW YOU’s audience likes what it sees…

GLOBAL LENS FILMS:

 

THE FINGER (dir. Sergio Teubal, Argentina) was awarded Best Screenplay, Best Actor, and Best Score at the Malatya International Film Festival in Ankara, Turkey! THE FINGER will premiere as part of the Global Lens 2012 film series in January at MoMA—watch the film trailer here!

 

GFI GRANT RECIPIENTS:

ON THE EDGE (2011 GFI grant recipient), directed by Leila Kilani of Morocco, received the following awards:

FIPRESCI Prize, Films from the South Festival (Oslo, Norway) Best International Feature-Length Film, International Antalya Golden Orange Film Festival (Antalya, Turkey) Film Critics’ Jury Prize, Most Innovative Film, Tübingen-Stuttgart International French-language Film Festival (Tubingen, Germany) Special Jury Prize and Best Actress, Brussels International Independent Film Festival (Brussels, Belgium) Grand Prize, Arte Mare Festival du Film et des Cultures Mediterraneennes (Bastia, France) Special Mention, Continue reading FESTIVALS & AWARDS: Malatya IFF, Cinema Tropical Awards, Thessaloniki IFF and more!

FEATURE: 3 on 1: Frequent Flyer Benefits

It's the most, wonderful, time of the year.

Global Lens Series Manager Jeremy Quist and Marketing & Publicity Manager Hilary Lawson share their experiences on the road, while a special guest weighs in on American cinema from an international perspective…

Traveling. Around this time of year, it tends to get a bad rap. Everyone can relate to long lines, the affects of jet lag and the questionable quality of airplane food. However, in all the groaning and moaning, the bigger picture of why we travel in the first place can get lost. After all, what’s a bit of a stiff neck in comparison to the joy of visiting friends and family, getting a change of scenery, and adding new people and experiences to your life?

Admittedly, this might be easier for us to say, as the GFI staff has recently returned from some unforgettable trips. Santhosh Daniel (Director of Programs) attended the 16th Busan International Film Festival, Hilary Lawson (Marketing & Publicity Manager) traveled to the 52nd Thessaloniki International Film Festival, Jeremy Quist (Global Lens Series Manager) was invited as an honorary

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