The Global Film Initiative has chosen 10 films from around the world for its 2014 Global Lens Films Series, which is distributed by the New York-based FilmRise. The 10 titles also will be added to the 96-title GFI library, whose exclusive distribution rights FilmRise, headed by CEO Danny Fisher, acquired last year.
The new film lineup includes Turkey’s 11’e 10 kala (10 to 11) and Babamin sesi (Voice of My Father), India’s Chitra Sutram (The Image Threads), Armenia’s Yerku ashkharhic i hishatak (From Two Worlds as a Keepsake), Bosnia and Herzegovina’s Halimin put (Halima’s Path), Venezuela’s Pelo Malo (Bad Hair) Rwanda’s Imbabazi (The Pardon), Morocco’s Wadaan Carmen (Adios Carmen), Cameroon’s Ninah’s Dowry and Egypt’s La Moakhza (Excuse My French).
Over the past 10 years, the Global Film Initiative has provided grants and distribution support for the Global Lens series, which supports filmmakers in the developing world by providing programming for festivals, libraries, cultural institutions, schools and art house cinemas throughout North America.
“We are excited to leverage our partnership with FilmRise as we continue our work to present the very best of world cinema as a means of promoting cross-cultural understanding,” Susan Weeks Coulter, founder and board chair of the Global Film Initiative, said.
Recently, Global Lens 2013 was hand-delivered to William Wells, Executive Director of The Townhouse, in Cairo Egypt, by one of GFI’s longtime San Francisco friends and supporters, Kurt Oberhuis. As part of our ongoing support, offering visibility to Global Lens filmmakers through a few international cultural venue partners, we are pleased to donate this curated series of films from countries rarely screened in Egypt.
In addition, The Townhouse Gallery of Contemporary Art in Cairo, Egypt recently hosted screenings of Global Lens 2007 in January and February. This “global partnership” is an exciting innovation to our series and in the coming year, GFI hopes to extend the reach of Global Lens through similar partnerships around the world.
To donate this curated series of films, The Townhouse Gallery of Contemporary Art is one of the region’s leading independent spaces for the arts, and provides an extensive program of visual arts, film, theatre and music, and also focuses on community development initiatives and educational programs.
Click here for more photos and information on The Townhouse
The Girl Scout Troop 30537 of St. Theresa School in Oakland Hills, CA generously donated a thousand dollars from their cookie sales to the The Daughter’s Voice, a film about abolishing the Nepalese practice of Kamlari, or selling girls into slavery. At the end of the film presentation, the producer, Ray Cox, and director, Robin Martarotti, were very impressed by the intelligent questions the girls asked about the Kamlari issue and their genuine concern for the girls who are still in slavery. Cox and Martarotti were surprised when the troop sales manager and a business partner handed them a check for matching funds and were very grateful to accept the heartfelt donation!
These Girl Scouts are gearing for another significant donation toward another worthy cause in order to continue making contributions not only to their community, but nationwide.
The Daughter’s Voice is an inspiring story about humanity’s greatest aspiration – the quest for freedom; a story of how a small non-profit turned a population against the practice of selling young girls into indentured servitude.
In early 2000, the Nepal Youth Foundation (NYF) launched a program to eradicate the Kamlari practice in of slavery based on the selling of young girls into indentured servitude. In just 14 years, NYF has rescued almost an official ban on the Kamlari system, and turned the cultural tide against this inhumane practice. This scale of success unprecedented and it’s a lesson for the world.
Click here to learn more about the film
Click here for their funding proposal
Click here for a special documentary and the Nepal Youth Foundation (NYF)
On June 12th, more than 250 people gathered at the historic Clay Theater in San Francisco to meet Dr. Bruce Miller, UCSF Dept. of Neurology Memory and Aging Center and filmmaker, Banker White, at the screening of his extraordinary documentary film, The Genius of Marian—an intimate portrait exploring the tragedy of Alzheimers, the power of art, and the meaning of family.
As our population ages and so many are connected to someone struggling with Alzheimer’s, The Genius of Marian offers inspiration, illuminating the love and dignity to be found along the journey.
Bay Area Filmmaker Travis Pittman, recently completed the production of a narrative film in Ghana called, Nakom. The film is a co-production, Ghana and US; Pittman co-wrote the script, with Isaac Awinimi, a talented writer and resident of the remote village of Nakom. Pittman lived and worked in this same village for two years in Ghana and served from 2006-2008.
Writer/Director Travis Pittman Producer/Co-Writer Isaac Awinimi Featured Film, Nakom
Despite the film’s typical low-budget production, Nakom captures intricate sensibility and at the same time brings to life the crisis of a new generation, caught between tradition and modernity. The film illustrates the story of a talented medical student forced to return to his home village in Ghana to face the realities of a struggling farm, his family’s survival, and the choice between two very different futures after the untimely death of his father. It’s an intimate and realistic portrait of a family in northeastern Ghana with broad societal implications…revealing universal struggles and a complicated linear notion of development. Pittman refers to his extraordinary team as being in a unique position to speak to the issues of “globalization-of the urgent”, choices the whole world is making in reconciling different ways of living, while retaining and recognizing the good of the past and embracing the possibilities of the future.
Pittman’s team had recently completed a successful Kickstarter campaign to raise the vital funds for post-production.
Click on this link for more information on the film: www.kickstarter.com/projects/rasquache/nakom
|Future Filmmaker, 2013 Young Filmmakers Camp
Photo by Lizzy Brooks
LIMITED SPACE AVAILABLE, ENROLL NOW
This intensive film program is an opportunity for teens to learn from first-class film professionals in a fun, interactive, collaborative environment. Aspiring filmmakers can enroll in in either the 2-week Starter Lab or the 2-week Advanced Lab — or take both for a full four weeks of total film.
Two Global Lens films are available for streaming on Amazon Prime: Wretched Lives, by Filipino actor and director Joel Lamangan, and In the Battlefields, by Lebanese filmmaker Danielle Arbid. Both films follow the difficult lives of young women living in dangerous times.
Vanessa (Assunta di Rossi), in Wretched Lives, struggles to provide for her troubled sister following the death of their mother, in politically-torn Manila. For Vanessa the struggle is to make ends meet and to protect her sister from threats that include men she can’t always trust and authorities that manipulate the poor with little regard for consequences.
Lina (Marianne Feghali) is a young girl just entering her teens in In the Battlefields. She lives with her family in Beirut, in the midst of Lebanon’s searing civil war. Her family shares the building where they live with relatives. Often afraid to step outside during the day, they huddle together in the basement at night while bombs explode in the streets around them. Desperate to escape the civil war among her relatives, Lina forms a dangerous friendship that leads her into the war outside.
Wretched Lives (Hubog), 2001, The Philippines. Directed by Joel Lamangan. In Tagalog and English, with subtitles in English, 102 minutes
In the Battlefields (Dans les champs de bataille – Maarek hob), 2004, Lebanon. Directed by Danielle Arbid. In Arabic, with subtitles in English, 90 minutes
Shireen Seno (Philippines) pitched her film project, Nervous Translation
Deniz Gamze Erguven of Turkey presented her project, Mustang
Board Chair Susan Weeks Coulter reports from Rotterdam that she has seen several promising film projects at CineMart.
CineMart provides an opportunity for filmmakers to pitch their projects to industry professionals interested in supporting promising films with financing. CineMart was the first such platform, and is held in conjunction with the International Film Festival in Rotterdam, which continues through this weekend. Watch this space for updates from Rotterdam!
Rajesh Jaia and Cedomir Kolar (India) presented their film project, Chingari (The Spark)
The Global Film Initiative is happy to announce that Board Chair Susan Weeks Coulter will once again travel to Rotterdam’s CineMart, January 26th-29th, to meet with filmmakers with projects in progress.
Sign up with IFFR’s Inke Loocke, coordinator of one-on-one meetings, at email@example.com
or on Facebook – https://www.facebook.com/CineMartRotterdam -
or look for the yellow bag at CineMart.
See you there!